【摘要】：茶葉是我國(guó)最古老的植物飲品,擁有悠久的種植歷史,在各地茶園都有表現(xiàn)勞動(dòng)生活和當(dāng)?shù)孛袼椎牟韪�。茶歌名稱及內(nèi)容曲調(diào)多樣,大多分布在南方地區(qū),地區(qū)間存在差異也有共同點(diǎn),因?yàn)槎嗯c采茶勞動(dòng)有關(guān)被統(tǒng)稱為采茶音樂。茶歌是我國(guó)民歌藝術(shù)的重要組成部分,早期依靠茶農(nóng)和民間藝人口耳相傳,隨著我國(guó)民間藝術(shù)保護(hù)呼聲的不斷提高開始受到關(guān)注。但是在現(xiàn)代流行音樂的沖擊下,采茶音樂由于受眾較少、表現(xiàn)手法單一、優(yōu)秀民間藝人流失等問題,一度受到觀眾"冷遇",使繼承與發(fā)展受到阻礙。鑒于此,本文首先從采茶音樂的地域分布出發(fā)梳理了采茶音樂的本源和成因;其次對(duì)采茶音樂的現(xiàn)狀及未來發(fā)展進(jìn)行研究,以期對(duì)采茶音樂的傳承與保護(hù)有所借鑒和參考。
[Abstract]:Tea is the oldest plant drink in China, has a long history of planting, in the tea garden all over the world there are tea songs showing labor life and local customs. The names and contents of tea songs are varied, most of them are distributed in the south of China, and there are some differences among them, because most of the tea songs are related to the work of tea mining, which is generally called tea picking music. Tea song is an important part of the folk song art of our country, early rely on tea farmers and folk artists word-of-mouth transmission, with the continuous improvement of the protection of folk art in our country began to get attention. However, under the impact of modern pop music, tea-picking music, due to the small audience, the single way of expression, the loss of outstanding folk artists and other problems, was once "cold-treated" by the audience, which hindered the inheritance and development. In view of this, this paper firstly combs the origin and origin of tea-picking music from the regional distribution of tea-picking music, and then studies the present situation and future development of tea-picking music in order to draw lessons from and refer to the inheritance and protection of tea-picking music.
【作者單位】： 武漢體育學(xué)院體育科技學(xué)院;
【分類號(hào)】：J607

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