【摘要】：古箏藝術在我國有著悠久的歷史和非凡的影響力,在兩千多年的歷史演進中,山東箏以其獨特的藝術魅力屹立于我國民族器樂之林。其中《四段錦》作為山東箏派特點鮮明的樂曲,呈現(xiàn)出了璀璨的藝術價值。本文通過對于山東箏曲《四段錦》的相關資料進行梳理,對《四段錦》的作者、創(chuàng)作背景、演奏要義及其所要表達的內(nèi)涵,進行了全面、深入的研究。全文從四個部分闡述分析:第一部分:對《四段錦》所歸屬的山東箏派進行概述,從其歷史源流、表現(xiàn)形式進行了詳實的介紹;詳述了山東箏的演奏風格、演奏技法等特點,此章作為本文了解性的敘述。第二部分:簡介《四段錦》的作者及其創(chuàng)作背景;具體分析了《四段錦》的曲式結(jié)構(gòu)框架,為本文講解《四段錦》的演奏要義鋪墊。第三部分:重點分析了《四段錦》所包含的主要演奏技術;分別對《清風弄竹》、《山鳴谷應》、《小溪流水》、《普天同慶》四個樂曲進行演奏要義分析,是本文的重點篇章。第四部分:深入研究《四段錦》中《清風弄竹》、《山鳴谷應》、《小溪流水》、《普天同慶》所蘊含的“起、承、轉(zhuǎn)、合”的含義;對《四段錦》的表現(xiàn)特征和意象內(nèi)涵進行了探討,是本文升華的篇章。
[Abstract]:The art of zither has a long history and extraordinary influence in our country. In the history evolution of more than two thousand years, Shandong Zheng stands in the forest of national instrumental music with its unique artistic charm. As a distinctive music of Zheng School in Shandong Province, Siduanjin presents a bright artistic value. In this paper, the author, the creation background, the essential meaning of playing and the connotation of the expression of "Siduanjin" are comprehensively and deeply studied by combing the relevant data of the "Siduanjin" of Shandong Zheng qu, the author of Siduanjin, the author of Siduanjin. The full text elaborates from four parts: the first part: to the Shandong Zheng school which belongs to "the four sections Jin" carries on the summary, has carried on the detailed introduction from its historical origin, the expression form; The characteristics of Shandong Zheng, such as playing style and technique, are described in detail. This chapter is an explicative description of this article. The second part introduces the author of Siduanjin and its creation background, analyzes the musical structure frame of Siduanjin, and lays the groundwork for this paper to explain the playing essentials of Siduanjin. The third part focuses on the analysis of the main playing techniques contained in the "four-section brocade"; It is the main chapter of this paper to analyze the main meaning of playing four pieces of music "Qingfeng Nangzhu", "Mountain and Valley should", "Brook and running Water" and "Putian Tongqing" respectively. Part IV: a thorough study of the meaning of "start, inherit, turn, and close" contained in "four sections of Jinjin", "Qingfeng Nongzhu", "Mountain and Valley should", "Creek and flowing Water", "Putian Tongqing"; It is the sublimation chapter of this paper to discuss the expression characteristics and image connotation of Siduanjin.
【學位授予單位】：吉林藝術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J632.32

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本文編號：2432201