【摘要】：譚盾,是我國(guó)著名的作曲家、指揮家,被譽(yù)為東方的"馬克·波羅"。他的創(chuàng)作具有鮮明的個(gè)人風(fēng)格,同時(shí)將地道的東方文化音樂色彩與西方現(xiàn)代音樂創(chuàng)作技法完美地結(jié)合在一起。譚盾的音樂已成為這個(gè)時(shí)代的標(biāo)簽�！栋朔十嫷幕貞洝窞樽T盾初入專業(yè)作曲領(lǐng)域所創(chuàng)作的鋼琴組曲,該作品集民族音樂元素與現(xiàn)代創(chuàng)作技法為一體,是譚盾在鋼琴創(chuàng)作作品中的代表作。這首鋼琴組曲由八首短小精悍的小曲構(gòu)成:《秋月》、《逗》、《牧童之歌》、《憂郁的尼姑》、《紅色荒野》、《古葬》、《浮云》和《太陽(yáng)雨》,風(fēng)格迥異而具有純正的東方民族味道,通過加入西方現(xiàn)代的創(chuàng)作技法,使東方特色民族音樂在"鋼琴"這一西洋樂器上體現(xiàn)出了別樣的韻味,向我們展現(xiàn)出一幅幅絕美清新的水彩畫。既是中西合璧,那么在這首作品的演奏中,筆者認(rèn)為,研究民間音樂的特色如何在鋼琴上很好地實(shí)踐,是十分必要的。筆者擬由對(duì)這首作品的創(chuàng)作背景、藝術(shù)特征、調(diào)性與曲式結(jié)構(gòu)等理論研究出發(fā),進(jìn)而探討作品中踏板與Rubato(自由節(jié)奏)的運(yùn)用,通過理論與實(shí)際的結(jié)合,找到演奏好這部作品的最佳途徑,從而更加全面與細(xì)致地領(lǐng)悟這首作品。
[Abstract]:Tan Dun, a famous composer and conductor in China, is praised as "Mark Polo" of the East. His creation has a distinct personal style, at the same time, the authentic oriental culture music color and the western modern music creation technique perfectly combine together. Tan Dun's music has become the label of this era. "memories of eight watercolor paintings" Piano Suite composed for Tan Dun's first entry into the field of professional composition. This composition combines elements of national music with modern creative techniques. Tan Dun is the representative work of piano creation. The piano suite consists of eight short, short pieces: autumn Moon, tease, Song of the Shepherd, melancholy Nuns, Red Wilderness, Ancient burial, floating Clouds, and Sunrain, The style is very different and has the pure oriental national flavor, through the western modern creation technique, causes the oriental characteristic folk music in "piano" on the western musical instrument to display the other kind of lasting appeal. Show us a beautiful fresh watercolor painting. As a combination of Chinese and Western, the author thinks that it is necessary to study the characteristics of folk music on the piano. The author intends to discuss the use of pedals and Rubato (Free Rhythm) in the works from the theoretical research on the background, artistic characteristics, tonality and musical structure of the work, and through the combination of theory and practice. Find the best way to play the work and understand it more fully and carefully.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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