斯特拉文斯基《春之祭》音樂及文化研究
發(fā)布時間：2019-02-22 21:36
【摘要】：俄裔美籍作曲家伊戈爾·菲德洛維奇·斯特拉文斯基是二十世紀(jì)歐洲音樂歷史上最具影響力的作曲家之一,其早期芭蕾舞劇代表作《春之祭》創(chuàng)作完成于1912年末,并于1913年在巴黎首演,在歐洲樂壇引起了巨大轟動,歐洲由此掀開了二十世紀(jì)音樂的序幕。舞劇《春之祭》在音樂的幾個不同方面都有其獨特性:在結(jié)構(gòu)方面,斯特拉文斯基借用了當(dāng)時立體主義畫派的繪畫技法——貼紙法,把音樂素材嵌入段落的聲部之中,通過材料本身或材料之間的變化來推動音樂的發(fā)展;在節(jié)奏方面,斯特拉文斯基使用大量的不規(guī)則重音和非常規(guī)節(jié)拍,為作品增添了充滿原始風(fēng)情的、不可預(yù)知的神秘感;同時,他在創(chuàng)作時采用了多樣化的調(diào)式,也令作品充滿了與以往不同的色彩。在這篇文章中,筆者通過對斯特拉文斯基的《春之祭》在結(jié)構(gòu)、節(jié)奏和調(diào)性等方面的分析,在以當(dāng)時文化藝術(shù)土壤為背景的基礎(chǔ)上,對《春之祭》的創(chuàng)作進行關(guān)照,力圖對作品和作曲家都有一個較為深入的理解,并在此基礎(chǔ)上,能夠進一步了解二十世紀(jì)初期的歐洲音樂文化,以及該作品對后世的影響與啟發(fā)。
[Abstract]:Igor Fedrovich Stravinsky, an American composer of Russian descent, was one of the most influential composers in the European music history of the 20th century. His early ballet masterpiece, the Festival of the Spring, was completed in late 1912. He premiered in Paris in 1913 and caused a sensation in European music, which opened the twentieth century music. Dance play "the Festival of Spring" has its own uniqueness in several aspects of music: structurally, Stravinsky borrows the artesian painting technique of the time-stickers, to embed the music material in the sound of the passage. To promote the development of music through material itself or changes between materials; In terms of rhythm, Stravinsky uses a large number of irregular stresses and unconventional rhythms, adding to the original amorous feelings of the works, unpredictable mystery; At the same time, he used a variety of modes in his creation, which made the works full of different colors. In this article, through the analysis of Stravinsky's "the sacrifice of Spring" in the aspects of structure, rhythm and tonality, and on the basis of the cultural and artistic soil of that time, the author pays close attention to the creation of "the sacrifice of Spring". The author tries to have a deeper understanding of the works and composers, and on this basis, can further understand the European music culture in the early 20th century, as well as the influence and inspiration of the works on later generations.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J618
本文編號：2428661
[Abstract]:Igor Fedrovich Stravinsky, an American composer of Russian descent, was one of the most influential composers in the European music history of the 20th century. His early ballet masterpiece, the Festival of the Spring, was completed in late 1912. He premiered in Paris in 1913 and caused a sensation in European music, which opened the twentieth century music. Dance play "the Festival of Spring" has its own uniqueness in several aspects of music: structurally, Stravinsky borrows the artesian painting technique of the time-stickers, to embed the music material in the sound of the passage. To promote the development of music through material itself or changes between materials; In terms of rhythm, Stravinsky uses a large number of irregular stresses and unconventional rhythms, adding to the original amorous feelings of the works, unpredictable mystery; At the same time, he used a variety of modes in his creation, which made the works full of different colors. In this article, through the analysis of Stravinsky's "the sacrifice of Spring" in the aspects of structure, rhythm and tonality, and on the basis of the cultural and artistic soil of that time, the author pays close attention to the creation of "the sacrifice of Spring". The author tries to have a deeper understanding of the works and composers, and on this basis, can further understand the European music culture in the early 20th century, as well as the influence and inspiration of the works on later generations.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J618
【參考文獻】
相關(guān)期刊論文 前1條
1 周耀群;《春之祭》的節(jié)奏[J];中央音樂學(xué)院學(xué)報;1984年04期
，本文編號：2428661
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