【摘要】：蒙古族作為我國少數(shù)民族,其獨(dú)特的音樂風(fēng)格及音樂元素對我國少數(shù)民族音樂的發(fā)展起到了積極的作用。近年來帶有蒙古族特色的合唱作品也越來越受到國內(nèi)外人民的喜愛,因?yàn)槊晒抛屣L(fēng)格的合唱作品具有代表性并能體現(xiàn)出本民族的獨(dú)特魅力。色·恩克巴雅爾先生創(chuàng)作的合唱作品《蒙古靴》是其中最具代表性的作品之一。合唱作品《蒙古靴》由《源》、《步調(diào)》、《火種》三個(gè)部分組成,作曲家色·恩克巴雅爾創(chuàng)新的運(yùn)用了人聲的多種演唱技法來演唱,他在蒙古族語言的基礎(chǔ)上進(jìn)行再創(chuàng)造,形成具有蒙古族音樂風(fēng)格的象聲詞與襯詞,用這種新型的演唱形式來模仿自然界中的各種聲音,比如馬蹄的響聲以及草原中蒙古馬奔跑的步伐,再配合馬頭琴伴奏聲部的襯托、頌贊詞韻律的演唱所塑造出的蒙古靴的形象,展現(xiàn)了蒙古族人民勇往直前的精神,以及蒙古族歷史悠久的草原文化。本人碩士學(xué)位論文的研究對象是色·恩克巴雅爾先生創(chuàng)作的合唱作品《蒙古靴》。作品《蒙古靴》是通過描寫一副蒙古靴而描繪出蒙古族人民前進(jìn)的步伐和蒙古馬飛奔的身影,營造出遼闊而生機(jī)勃勃的草原意境,并把蒙古族燦爛的文明的歷史、其馬背文化,以及蒙古族人民對大自然的尊重與熱愛等,這樣的主題貫穿全曲并通過作品表達(dá)的淋漓盡致。此次,本論將文分為四個(gè)部分來分析這部作品。其中本文的第一章為作曲家的介紹以及作曲家在創(chuàng)作作品的創(chuàng)作靈感及背景。本文的第二章為全文的主體部分。將分為三節(jié)來分析和研究這部作品的作曲技法。第一節(jié)是從作品的調(diào)性分布及和聲的應(yīng)用來分析作品,其中多重調(diào)式的疊加以及多種和聲色彩的運(yùn)用是本節(jié)中重要的研究內(nèi)容也是這部作品在調(diào)性上的特色創(chuàng)新,第二節(jié)是從復(fù)調(diào)手法的運(yùn)用來分析作品,第三節(jié)是從曲式結(jié)構(gòu)來分析作品,其中作品中模仿復(fù)調(diào),對比復(fù)調(diào)中多種復(fù)調(diào)手法的運(yùn)用,多重調(diào)性疊加的運(yùn)用以及作品變奏的特點(diǎn)都是本人研究這部作品的重要部分。本文從作曲技法的角度,對合唱作品《蒙古靴》的音樂本體進(jìn)行全面研究,以作曲技術(shù)的研究方法對該作品的主題旋律、復(fù)調(diào)、和聲以及曲式結(jié)構(gòu)等方面進(jìn)行分析并做出細(xì)致闡述。作曲家色·恩克巴雅爾創(chuàng)新的運(yùn)用了人聲的多種演唱技法來演唱,他在蒙古族語言的基礎(chǔ)上進(jìn)行再創(chuàng)造,形成具有蒙古族音樂風(fēng)格的象聲詞與襯詞,用這種新型的演唱形式來模仿自然界中各種聲音,比如馬蹄的響聲以及草原中蒙古馬奔跑的步伐,再配合馬頭琴伴奏聲部的襯托、頌贊詞韻律的演唱所塑造出的蒙古靴的形象,展現(xiàn)了蒙古族人民勇往直前的精神,以及蒙古族歷史悠久的草原文化�！睹晒叛ァ愤@部作品還充分吸收了蒙古族所具有的獨(dú)特的風(fēng)格元素,利用了蒙古族樂器馬頭琴的四五度定弦方式演奏大二度、小三度、純五度、小六度、小七度等音程。有馬頭琴伴奏的混聲合唱在整個(gè)合唱的發(fā)展與傳承中都是特色與鮮明的存在,而合唱作品《蒙古靴》恰恰完美的結(jié)合了作曲家在作品創(chuàng)作中加入了多種蒙古族獨(dú)特的演唱形式、馬頭琴伴奏以及人聲器樂化的特點(diǎn),固定節(jié)奏型的運(yùn)用等,將整個(gè)蒙古族的民族起源、發(fā)展、歷史痕跡等貫穿全曲,充分體現(xiàn)出了整個(gè)民族前進(jìn)的步伐和民族的凝聚力。 [Abstract]:As a national minority in China, the unique music style and the music element play a positive role in the development of Chinese minority music. In recent years, the chorus works with Mongolian characteristics have become more and more popular with the people at home and abroad, because the Mongolian style of the chorus works is representative and can reflect the unique charm of the nation. The chorus works by Mr. Color Enkbar (Mongolian Boots>) is one of the most representative works. The chorus works consist of three parts of the , , three parts, and the composer color 路 Enkhbayar's innovative use of a variety of singing techniques of the human voice to sing, and he makes a re-creation on the basis of Mongolian language. the form of a novel singing form is used to imitate various sounds in the natural world, such as the sound of the horse's horse and the running of the Mongolian horse in the grassland, The image of the Mongolian boot, which is made by the singing of the hymn of the praise, shows the spirit of the Mongolian people and the long history of the Mongolian grassland culture. The study object of my master's degree thesis is the chorus work created by Mr. Color Enkabjer (Mongolian Boots>). The work is to describe the movement of the Mongolian people and the figure of the Mongolian horse by describing a pair of Mongolian boots, to create a vast and dynamic grassland artistic conception, and to take the history of the splendid civilization of the Mongolians, and the horse's back culture. as well as the respect and love of the Mongolian people for nature, the theme of this is through the whole music and through the works. This time, this theory is divided into four parts to analyze the work. The first chapter of this paper is the introduction of the composer and the inspiration and background of the composer's creation. The second chapter of this paper is the main part of the text. It will be divided into three sections to analyze and study the composition techniques of the work. The first section is to analyze the work from the distribution of the tonality of the work and the application of the sound, in which the superposition of multiple modes and the application of multiple and sound colors are the most important research contents in this section. The third section is to analyze the work from the structure of the curved structure, in which the use of multiple adjustment techniques in the work, the application of the multi-tonality and the combination of the multi-tonality and the characteristics of the variation of the works are the important parts of the work. From the angle of composing technique, this paper makes a comprehensive study on the music body of the chorus works , and analyses the theme melody, complex adjustment, harmony and the curved structure of the works by the research method of the composing technology. The composer's color, Enkhbayard's innovative use of the various singing techniques of the human voice to sing, he makes a re-creation on the basis of the Mongolian language, forms the sound and contrast words with the Mongolian music style, and uses the novel singing form to imitate the various sounds in the natural world, such as the sound of the horse's horse and the pace of the Mongolian horse running in the grassland, and then the image of the Mongolian boot, which is made by the singing of the rhythm of the horse, shows the spirit of the Mongolian people and the long-established grassland culture of the Mongolian people. This work also fully absorbs the unique style elements of the Mongolian, and makes use of the four-five degree fixed-string method of the Mongolian musical instrument to play the major two-degree, three-degree, pure five-degree, six-degree, and seven-degree sound. The mixed chorus with the accompaniment of the horse and the piano is characteristic and distinct in the development and the inheritance of the whole chorus, and the chorus works just perfect combination of the composer to add a variety of Mongolian unique singing forms in the work creation. With the characteristics of the accompaniment of the horse and the music of the people and the use of the fixed rhythm, the whole country's national origin, development, historical trace and so on are all through the whole music, which fully reflects the progress of the whole nation and the cohesion of the nation. 【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué) 【學(xué)位級(jí)別】：碩士 【學(xué)位授予年份】：2017 【分類號(hào)】：J614
