【摘要】：周初始創(chuàng)“禮樂制度”,賦予“樂”以新義�！皹贰北久袼字�,后被納入“禮制”,表明周“樂”有自身的歷史進(jìn)程。該進(jìn)程既是“樂”義衍生的過程,亦是周“樂”演變的過程�！对娊�(jīng)》“二南”樂歌編撰過程及其“多義性”即是例證。本文從民俗角度著眼,討論《詩經(jīng)》“二南”樂歌中與此相關(guān)的問題:1.周代的“禮俗”與禮俗樂之關(guān)系;2.《詩經(jīng)》“二南”的地域性及其民俗性質(zhì);3.“二南”樂歌的多重社會(huì)屬性及其含義;4.“詩樂”的政教面相與功能。
[Abstract]:Zhou initially created the "ritual and music system", endowing "music" with a new meaning. The folklore of "Yue" was later brought into "ritual system", indicating that Zhou "Yue" had its own historical process. This process is not only the process of the derivation of the meaning of "Yue", but also the process of the evolution of "Yue" in Zhou Dynasty. The compilation process of "Ernan" songs and its "polysemy" are exemplified in the Book of songs. From the perspective of folklore, this paper discusses the related problems in the songs of the Book of songs: 1. The relationship between "etiquette and custom" and music in Zhou Dynasty; 2. The regionality and folklore nature of the Book of songs "Ernan"; 3. The multi-social attribute and its meaning of "Ernan" music song; 4. The political and religious aspects and functions of poem and Music.
【作者單位】： 西南大學(xué)音樂學(xué)院;西南大學(xué)教育學(xué)部;

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