【摘要】：中國(guó)古曲在藝術(shù)性上的造詣,集中的反映了中國(guó)傳統(tǒng)藝術(shù)的審美,這種古樸、典雅的美學(xué)風(fēng)格也一定程度上代表了中國(guó)古老藝術(shù)的特征,并成為延綿千年發(fā)展的重要烙印�；ヂ�(lián)網(wǎng)時(shí)代的藝術(shù)審美傾向于快捷、直觀,這與傳統(tǒng)的中國(guó)古曲的美學(xué)特征是格格不入的,然而如何在順應(yīng)時(shí)代潮流變化的前提下繼續(xù)發(fā)揚(yáng)和運(yùn)用古曲獨(dú)特的美學(xué),卻是當(dāng)代探討傳統(tǒng)藝術(shù)發(fā)展的重要課題。
[Abstract]:The artistry of ancient Chinese music reflects the aesthetics of Chinese traditional art. To some extent, this simple and elegant aesthetic style also represents the characteristics of ancient Chinese art, and has become an important imprint of the development of thousands of years. The aesthetic appreciation of art in the Internet age tends to be quick and intuitive, which is incompatible with the aesthetic characteristics of the traditional Chinese ancient songs. However, how to carry forward and apply the unique aesthetics of ancient Chinese classical music under the premise of adapting to the changing trend of the times, However, it is an important topic to explore the development of traditional art.
【作者單位】： 廣西壯族自治區(qū)宜州市河池學(xué)院藝術(shù)學(xué)院;
【分類號(hào)】：J601

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