【摘要】：《“熱情”奏鳴曲》原名《第二十三鋼琴奏鳴曲》,是貝多芬最具代表特性的音樂作品之一,他歌頌的是和平與自由,不僅密切聯(lián)系著祖國與人民,倡導(dǎo)和平與安寧,富含充沛的情感表達(dá),還將其個人音樂特征突出表現(xiàn)。《“熱情”奏鳴曲》第三樂章為有引子、尾聲的典型奏鳴曲式。無論是引子還是主部亦或者是尾聲,都透露出整個奏鳴曲所倡導(dǎo)的“熱情”的情感。在演奏過程中,音樂情感與織體層次變化以及作品音色與力度對比變化等的把控都影響著演奏的完美呈現(xiàn)。樂曲不僅彰顯出蓬勃的氣勢,反映出時代的旋律,而且富有音樂表現(xiàn)力的旋律為鋼琴演奏者提供了二次創(chuàng)作的契機(jī)。
[Abstract]:The original name of "passion" sonata "Piano Sonata No. 23" is one of Beethoven's most representative musical works. He sings peace and freedom, not only closely linked with the motherland and people, but also advocating peace and tranquility. Rich in emotional expression, the characteristics of his personal music outstanding. < "enthusiasm" Sonata "third movement" for the introduction, the end of the typical sonata form. Both the introduction, the main part and the end reveal the passion advocated by the sonata. In the process of playing, the changes of music emotion and texture, and the changes of timbre and intensity of works influence the perfect presentation of performance. The music not only shows the vigorous momentum and reflects the melody of the times, but also provides the piano players with the opportunity of second creation.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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相關(guān)期刊論文 前1條

1 李東靜;;貝多芬作品中英雄性與悲劇性的糅合——詮釋貝多芬《熱情奏鳴曲》第一樂章創(chuàng)作技法及演奏[J];藝術(shù)研究;2011年01期

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本文編號：2392018