【摘要】：劉天華先生的創(chuàng)作將我國民族音樂元素和西方音樂元素很好的結(jié)合,在他的眾多作品中都有所體現(xiàn)。筆者通過對《改進(jìn)操》的演奏、查找資料并且深入研究,分析其創(chuàng)作背景與社會背景的關(guān)系以及近代知識分子與琵琶音樂的關(guān)系,深刻體會此曲節(jié)奏與速度較大幅度的變化,古琴空散泛音、綽、注等演奏技法,和對原有傳統(tǒng)技法組合進(jìn)行拓展的實踐以及變奏、頂針、再現(xiàn)、首尾互搭、"點"與"線"等技巧相結(jié)合的靈活運用。并通過掌握技巧上的難點同時體會其創(chuàng)作上如何借鑒西方作曲技法然而卻沒有留下明顯的西方音樂痕跡的創(chuàng)作特點。
[Abstract]:Liu Tianhua's creation combines Chinese folk music elements with western musical elements well, which is reflected in his many works. By analyzing the relationship between the background of creation and social background and the relationship between modern intellectuals and pipa music, the author has a profound understanding of the great changes in the rhythm and speed of this song. The practice of developing the original traditional technique combination and the flexible application of variation, thimble, reproduction, head-end overlap, "dot" and "line". And through mastering the difficult points in the skills, we can also understand how to draw lessons from the western composing techniques in their creation, but without leaving a clear trace of western music.
【作者單位】： 南京藝術(shù)學(xué)院;
【分類號】：J632.33

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