【摘要】：蒙古佛教1寺院誦經(jīng)音樂(lè)分為藏語(yǔ)誦經(jīng)音樂(lè)和蒙古語(yǔ)誦經(jīng)音樂(lè),其中多數(shù)寺院用藏語(yǔ)來(lái)誦唱經(jīng)文。本文以中國(guó)境內(nèi)的雍和宮和蒙古國(guó)境內(nèi)的甘丹寺僧侶誦唱的藏語(yǔ)《無(wú)上瑜伽部大威德金剛十三尊成就儀軌》誦經(jīng)音樂(lè)為例,從微觀、中觀、宏觀等三個(gè)不同層級(jí)進(jìn)行比較,闡釋誦經(jīng)音樂(lè)在不同的國(guó)家語(yǔ)境中所產(chǎn)生的不同形態(tài)特征。
[Abstract]:Mongol Buddhism 1 temple chanting music is divided into Tibetan chanting music and Mongolian chanting music, most of which chanting scriptures in Tibetan. This paper takes Yonghegong Lamasery in China and Gandan Monastery in Mongolia as an example to compare the 13 achievement rituals of the Supreme Yoga Ministry with the chanting of 13 achievement rituals from three different levels: micro, meso and macro. Explain the different morphological features of chanting music in different national contexts.
【作者單位】： 中國(guó)音樂(lè)學(xué)院;北京民族音樂(lè)研究與傳播基地;
【分類號(hào)】：J608.2
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本文編號(hào)：2374768