鋼琴改編巴赫管風(fēng)琴作品的演奏分析
發(fā)布時(shí)間：2018-12-12 00:42
【摘要】：由于宗教、文化背景等原因,國(guó)內(nèi)對(duì)于管風(fēng)琴專(zhuān)業(yè)領(lǐng)域的研究有限,管風(fēng)琴音樂(lè)也不為人熟知。了解西方音樂(lè)發(fā)展脈絡(luò)與巴赫音樂(lè)創(chuàng)作,對(duì)管風(fēng)琴的認(rèn)識(shí)是必要的。本文由三個(gè)章節(jié)組成,第一章介紹管風(fēng)琴的歷史和管風(fēng)琴在宗教中的使用起源,論證宗教音樂(lè)中管風(fēng)琴的歷史地位。第二章將巴洛克時(shí)期的鍵盤(pán)樂(lè)器——楔槌鍵琴、羽管鍵琴做了簡(jiǎn)要介紹,與鋼琴的特點(diǎn)形成了對(duì)比。也對(duì)巴赫時(shí)期管風(fēng)琴與現(xiàn)代管風(fēng)琴的基本構(gòu)造進(jìn)行對(duì)比,總結(jié)巴洛克時(shí)期鍵盤(pán)樂(lè)器和管風(fēng)琴的發(fā)展變化。第三章對(duì)鋼琴改編曲追求巴赫管風(fēng)琴作品的音響效果進(jìn)行研究,從音響效果、演奏特征、踏板三個(gè)方面分析。通過(guò)分析巴赫管風(fēng)琴作品的鋼琴改編曲的演奏特征,可以看出鋼琴改編曲在演奏技巧上追求管風(fēng)琴音響效果,鋼琴改編曲也成為深入了解管風(fēng)琴音樂(lè)的媒介之一。
[Abstract]:Due to religious and cultural background, domestic research on organ field is limited, and organ music is not well known. It is necessary to understand the development of western music and Bach's music creation. This paper consists of three chapters. The first chapter introduces the history of organ and the origin of its use in religion, and proves the historical position of organ in religious music. The second chapter briefly introduces the baroque keyboard instruments-wedgehammer harpsichord and plume harpsichord, which are compared with the characteristics of piano. This paper also compares the basic structure of the organ in Bach period with that of the modern one, and summarizes the development and changes of the keyboard and organ in the Baroque period. The third chapter studies the sound effect of Bach's pipe organ in piano adaptation. It analyzes the sound effect from three aspects: sound effect, playing characteristic and pedal. By analyzing the performance characteristics of the piano adaptation of Bach's pipe organ works, it can be seen that the piano adapted music pursues the sound effect of the organ in the performance skill, and the piano adaptation also becomes one of the media to deeply understand the organ music.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J624
本文編號(hào)：2373550
[Abstract]:Due to religious and cultural background, domestic research on organ field is limited, and organ music is not well known. It is necessary to understand the development of western music and Bach's music creation. This paper consists of three chapters. The first chapter introduces the history of organ and the origin of its use in religion, and proves the historical position of organ in religious music. The second chapter briefly introduces the baroque keyboard instruments-wedgehammer harpsichord and plume harpsichord, which are compared with the characteristics of piano. This paper also compares the basic structure of the organ in Bach period with that of the modern one, and summarizes the development and changes of the keyboard and organ in the Baroque period. The third chapter studies the sound effect of Bach's pipe organ in piano adaptation. It analyzes the sound effect from three aspects: sound effect, playing characteristic and pedal. By analyzing the performance characteristics of the piano adaptation of Bach's pipe organ works, it can be seen that the piano adapted music pursues the sound effect of the organ in the performance skill, and the piano adaptation also becomes one of the media to deeply understand the organ music.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J624
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前3條
1 周蕾;布索尼改編巴赫管風(fēng)琴作品的音樂(lè)特征與演奏分析[D];武漢音樂(lè)學(xué)院;2009年
2 賀莉;宗教意識(shí)與文化的載體[D];武漢音樂(lè)學(xué)院;2006年
3 侯穎君;論鋼琴改編曲的音響、和聲、材料和結(jié)構(gòu)重組[D];上海音樂(lè)學(xué)院;2006年
，本文編號(hào)：2373550
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