【摘要】：巴西的鋼琴音樂發(fā)展時間不長,在鋼琴音樂的發(fā)展史上,可將其歸為現(xiàn)代音樂的范疇。最初拉丁美洲的作曲家在19世紀(jì)創(chuàng)作的鋼琴作品受當(dāng)時歐洲音樂的影響,多是模仿歐洲音樂風(fēng)格,直到20世紀(jì)作曲家發(fā)現(xiàn)本民族中的音樂精髓,認(rèn)為傳統(tǒng)音樂才是拉丁美洲音樂生命的源泉之后,他們才多以本民族的民歌和民間舞曲為創(chuàng)作素材,創(chuàng)作出了大量展現(xiàn)拉丁美洲音樂獨特魅力和富有生命力的鋼琴作品。埃內(nèi)斯托·胡里奧·德納薩雷特(Ernesto Júlio de Nazareth)是巴西著名的作曲家,他創(chuàng)作的《巴西華爾茲》是巴西鋼琴音樂的優(yōu)秀作品代表,具有濃郁的巴西音樂風(fēng)格。本文從曲式、和聲、伴奏織體、節(jié)奏、重音、踏板、技巧、音樂表現(xiàn)等方面對《巴西華爾茲》進行了創(chuàng)作和演奏的論述。
[Abstract]:Brazilian piano music has not been developed for a long time. In the history of piano music, it can be classified as modern music. The piano works originally created by Latin American composers in the 19th century were influenced by European music at that time, mostly imitating European musical styles, until the 20th century composers discovered the essence of their own music. It is believed that the traditional music is the source of Latin American music life, and then they take the folk songs and folk dance songs of their own nation as the material to create a large number of piano works which show the unique charm and vitality of Latin American music. Ernesto Julio de Nazarete (Ernesto J 煤 lio de Nazareth) is a famous Brazilian composer. His "Brazilian Waltz" is a representative of Brazilian piano music and has a strong Brazilian musical style. This paper discusses the creation and performance of the Brazilian Waltz from the aspects of music, harmony, accompaniment texture, rhythm, stress, pedal, technique, musical performance, etc.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J624.1

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