【摘要】：編鐘,是我國古代重要的打擊樂器,出現(xiàn)在商代,興起于西周,盛于春秋戰(zhàn)國直至秦漢。1978年湖北隨縣城郊擂鼓墩出土的戰(zhàn)國初期曾侯乙編鐘是我國現(xiàn)存最大、保存最完整的一套大型編鐘。它是我國十二樂音體系中最早具有半音音階關(guān)系并且十二個半音齊備的一套完整特大型定調(diào)樂器。曾侯乙墓編鐘的出土,使世界音樂界、文化界和考古學(xué)界都為之震驚。它的出土表明了在兩千多年前我國就擁有了如此精美的樂器和如此恢弘的樂隊。鐘身精美的圖案和鐘體寬廣的音域、精確的音準(zhǔn)也表明了我國青銅鑄造工藝的巨大成就和我國古代音律科學(xué)的發(fā)達(dá)程度。從編鐘展現(xiàn)在世人眼前以來,很多專家學(xué)者已撰寫過不少有關(guān)編鐘的文章,內(nèi)容涵蓋有關(guān)編鐘的出土、樂律及音樂文化屬性等等。本文將以1978年出土的曾侯乙編鐘為主要研究對象,從四個章節(jié)對它的形態(tài)、音域、音列結(jié)構(gòu)和演奏手法進(jìn)行分析和研究,力圖讓這件長期存放于博物館中的珍貴文物得到更多人的認(rèn)識和了解。同時希望這件古老的樂器能在當(dāng)今社會的音樂藝術(shù)實踐中得到更多的運(yùn)用,并且在教育領(lǐng)域得到積極有效的推廣。
[Abstract]:Bells, one of the most important percussion instruments in ancient China, appeared in the Shang Dynasty, rose in the Western Zhou Dynasty and flourished in the Spring and Autumn period and the warring States period to the Qin and Han dynasties. In 1978, Zeng Hou Yi's bell, unearthed in the early warring States period on the outskirts of Suixian County, Hubei Province, was the largest in existence in China. Save the most complete set of large chimes. It is a complete set of super-large-scale musical instruments which has the relation of semitone scale and the twelve semitones in the twelve music system of our country. The unearthed bell of Zeng Hou Yi's tomb shocked the world's music, cultural and archaeological circles. Its unearthed shows that more than two thousand years ago, China had such beautiful instruments and such a magnificent band. The exquisite design of the bell body and the wide range of the bell body and the accurate tone also indicate the great achievement of the bronze casting technology in China and the developed degree of the ancient timbre science in China. Many experts and scholars have written a lot of articles about the bell since the bell was displayed in front of the world. The contents include the unearthed of the bell, the music and law, the musical culture attribute and so on. This article will take Zeng Hou Yi bell unearthed in 1978 as the main research object, from four chapters to analyze and study its shape, phonological range, phonological structure and performance technique. Try to get more people to know and understand this precious cultural relics which have been stored in the museum for a long time. At the same time, I hope this old musical instrument can be more used in the practice of music art in today's society, and be actively and effectively popularized in the field of education.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.5

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