【摘要】：弗里德里克·弗朗索瓦·肖邦,19世紀(jì)西方音樂(lè)史上一位杰出的作曲家,鋼琴家,被譽(yù)為“鋼琴詩(shī)人”,他一生的音樂(lè)創(chuàng)作幾乎都是鋼琴作品。也正是通過(guò)這些作品的創(chuàng)作,使得浪漫主義時(shí)期鋼琴音樂(lè)表現(xiàn)手法得到了進(jìn)一步的豐富與發(fā)展。在肖邦鋼琴作品中最為突出的特點(diǎn)之一是用鋼琴展現(xiàn)出極具歌唱性的旋律。肖邦的鋼琴創(chuàng)作早期受到波蘭民間音樂(lè)的影響,后期則是受到意大利歌劇的啟發(fā),他在進(jìn)行力度層次把握與樂(lè)句松弛控制的過(guò)程中,讓鋼琴?gòu)?qiáng)烈地呈現(xiàn)出與人的呼吸相同的歌唱天賦。也就是說(shuō),將聲樂(lè)性的旋律靈活地向器樂(lè)性的旋律轉(zhuǎn)換,從而形成一種獨(dú)特的藝術(shù)風(fēng)格。本文著重對(duì)肖邦“f小調(diào)幻想曲”中旋律所表現(xiàn)的歌唱性來(lái)進(jìn)行研究。首先通過(guò)對(duì)肖邦傳奇一生及創(chuàng)作經(jīng)歷的研究,闡明其“歌唱性旋律”產(chǎn)生的歷史背景以及多種藝術(shù)風(fēng)格對(duì)其創(chuàng)作的影響。其次,對(duì)f小調(diào)幻想曲的背景及其結(jié)構(gòu)進(jìn)行簡(jiǎn)要介紹與分析。第三,結(jié)合“f小調(diào)幻想曲”創(chuàng)作的時(shí)代背景,對(duì)“歌唱性旋律”產(chǎn)生原因進(jìn)行探究,同時(shí)對(duì)比分析貝里尼歌劇音樂(lè)對(duì)肖邦鋼琴作品創(chuàng)作的影響。第四,結(jié)合自己的切身演奏體會(huì)和心得,從音樂(lè)的層次處理、連奏觸鍵技術(shù)、以及踏板的運(yùn)用等方面,詳細(xì)論述如何從技術(shù)層面演奏出“歌唱性旋律”。作者希望通過(guò)本文的研究,可以為更多的演奏者提供分析和演奏肖邦鋼琴作品中“歌唱性旋律”切實(shí)可行的方法與幫助,同時(shí)也對(duì)我們當(dāng)代的音樂(lè)創(chuàng)作起到一定啟迪和借鑒的作用。
[Abstract]:Frederick Francois Chopin, an outstanding composer and pianist in the history of western music in the 19th century, is known as the "piano poet". It is through the creation of these works that the Romantic period piano music expression techniques have been further enriched and developed. One of the most outstanding features of Chopin's piano works is the singing melody of piano. Chopin's piano creation was influenced by Polish folk music in the early stage and inspired by Italian opera in the later period. Let the piano strongly show the same singing talent as man's breath. That is to say, the melodies of vocal music are converted flexibly to instrumental melodies, thus forming a unique artistic style. This paper focuses on the singing performance of Chopin's Fantasia in f minor. Firstly, through the study of Chopin's life and creation experience, the historical background of Chopin's "singing melody" and the influence of various artistic styles on his creation are expounded. Secondly, the background and structure of Fantasia in F minor are briefly introduced and analyzed. Thirdly, combining with the background of the creation of Fantasia in F minor, this paper probes into the causes of "singing melody", and analyzes the influence of Bellini opera music on Chopin's piano works creation. Fourth, according to his own experience and experience, from the level of music processing, the technology of playing the key, as well as the use of pedal, and so on, discusses in detail how to play the "singing melody" from the technical level. The author hopes that through the research in this paper, the author can provide practical methods and help for more players to analyze and play the "singing melody" in Chopin's piano works. At the same time, we also play a role in contemporary music creation enlightenment and reference.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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相關(guān)期刊論文 前3條

1 高琳;;淺析肖邦f小調(diào)幻想曲作品第49號(hào)[J];大眾文藝;2013年03期

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本文編號(hào)：2364272