【摘要】：弗里德里克·弗朗索瓦·肖邦,19世紀(jì)西方音樂史上一位杰出的作曲家,鋼琴家,被譽為“鋼琴詩人”,他一生的音樂創(chuàng)作幾乎都是鋼琴作品。也正是通過這些作品的創(chuàng)作,使得浪漫主義時期鋼琴音樂表現(xiàn)手法得到了進一步的豐富與發(fā)展。在肖邦鋼琴作品中最為突出的特點之一是用鋼琴展現(xiàn)出極具歌唱性的旋律。肖邦的鋼琴創(chuàng)作早期受到波蘭民間音樂的影響,后期則是受到意大利歌劇的啟發(fā),他在進行力度層次把握與樂句松弛控制的過程中,讓鋼琴強烈地呈現(xiàn)出與人的呼吸相同的歌唱天賦。也就是說,將聲樂性的旋律靈活地向器樂性的旋律轉(zhuǎn)換,從而形成一種獨特的藝術(shù)風(fēng)格。本文著重對肖邦“f小調(diào)幻想曲”中旋律所表現(xiàn)的歌唱性來進行研究。首先通過對肖邦傳奇一生及創(chuàng)作經(jīng)歷的研究,闡明其“歌唱性旋律”產(chǎn)生的歷史背景以及多種藝術(shù)風(fēng)格對其創(chuàng)作的影響。其次,對f小調(diào)幻想曲的背景及其結(jié)構(gòu)進行簡要介紹與分析。第三,結(jié)合“f小調(diào)幻想曲”創(chuàng)作的時代背景,對“歌唱性旋律”產(chǎn)生原因進行探究,同時對比分析貝里尼歌劇音樂對肖邦鋼琴作品創(chuàng)作的影響。第四,結(jié)合自己的切身演奏體會和心得,從音樂的層次處理、連奏觸鍵技術(shù)、以及踏板的運用等方面,詳細論述如何從技術(shù)層面演奏出“歌唱性旋律”。作者希望通過本文的研究,可以為更多的演奏者提供分析和演奏肖邦鋼琴作品中“歌唱性旋律”切實可行的方法與幫助,同時也對我們當(dāng)代的音樂創(chuàng)作起到一定啟迪和借鑒的作用。
[Abstract]:Frederick Francois Chopin, an outstanding composer and pianist in the history of western music in the 19th century, is known as the "piano poet". It is through the creation of these works that the Romantic period piano music expression techniques have been further enriched and developed. One of the most outstanding features of Chopin's piano works is the singing melody of piano. Chopin's piano creation was influenced by Polish folk music in the early stage and inspired by Italian opera in the later period. Let the piano strongly show the same singing talent as man's breath. That is to say, the melodies of vocal music are converted flexibly to instrumental melodies, thus forming a unique artistic style. This paper focuses on the singing performance of Chopin's Fantasia in f minor. Firstly, through the study of Chopin's life and creation experience, the historical background of Chopin's "singing melody" and the influence of various artistic styles on his creation are expounded. Secondly, the background and structure of Fantasia in F minor are briefly introduced and analyzed. Thirdly, combining with the background of the creation of Fantasia in F minor, this paper probes into the causes of "singing melody", and analyzes the influence of Bellini opera music on Chopin's piano works creation. Fourth, according to his own experience and experience, from the level of music processing, the technology of playing the key, as well as the use of pedal, and so on, discusses in detail how to play the "singing melody" from the technical level. The author hopes that through the research in this paper, the author can provide practical methods and help for more players to analyze and play the "singing melody" in Chopin's piano works. At the same time, we also play a role in contemporary music creation enlightenment and reference.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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相關(guān)期刊論文 前3條

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本文編號：2364272