【摘要】：本文以泰國東北烏汶府、瑪哈薩拉堪府、黎逸府、那空拍農(nóng)府湄公河沿岸地區(qū)末拉姆(mawlum[m(?)35 1^m31])音樂、老撾萬象為中心的湄公河沿岸地區(qū)末拉姆(mawlum[m(?)35 1^m31])音樂以及廣西右江流域靖西縣、德�？h末倫音樂為研究對象,通過比較來研究三者之間的關(guān)系。文章著重論述兩個問題。第一、論證泰國、老撾所研究區(qū)域末拉姆音樂經(jīng)歷了從末拉姆辟發(fā)(mawlum pee fah)、末辟(mo pee)巫術(shù)儀式到末拉姆的轉(zhuǎn)型。第二、泰國東北、老撾所研究區(qū)域末拉姆(mawlum[m(?)35 1^m31])音樂與廣西所研究區(qū)域末倫音樂之間是否存在同源異流的關(guān)系。文章通過對現(xiàn)有文獻資料的梳理,理清泰國東北與老撾歷史上的淵源關(guān)系。運用本人的實地調(diào)查及藝人的口述資料,說明泰東北、老撾所研究區(qū)域末拉姆(mawlum[m(?)35 1^m31])音樂之間的關(guān)系。本文以泰國、老撾和廣西實地調(diào)查為基礎(chǔ),結(jié)合現(xiàn)有文獻資料,論述末拉姆(mawlum[m(?)35 1^m31])從巫術(shù)到藝術(shù)的轉(zhuǎn)型。文章論證了鬼靈崇拜末拉姆辟發(fā)(mawlum pee fah)儀式中的音樂行為與娛樂型末拉姆(mawlum[m(?)35 1^m31])音樂行為的關(guān)系。綜合本人實地調(diào)查和其他文獻資料考證,現(xiàn)今泰、佬民族與壯族先民系同源民族,可能是在南北朝時期分化出去,經(jīng)西雙版納與老撾北部山區(qū)克木人的居地遷徙到達現(xiàn)在的地域。佬泰先民遷徙途中吸納了克木人的飲酒禮俗和樂器凱恩(Kaen)等文化元素,并將其做為末拉姆辟發(fā)(mawlum pee fah)儀規(guī)的組成要件和娛樂型末拉姆(mawlum[m(?)35 1^m31])的伴奏樂器。文章通過大量的細節(jié)描寫和比較分析,拓寬了“廣西右江地區(qū)魔婆(me214 mot31)儀式中的歌唱是末倫古老源頭”這一認知,論證了泰、老所研究區(qū)域末拉姆(mawlum[m(?)35 1^m31])與廣西所研究區(qū)域末倫在鬼靈崇拜儀式音樂行為方面的同源關(guān)系。根據(jù)末倫與末拉姆(mawlum[m(?)35 1^m31])差異性的事實,或可推定娛樂型末拉姆(mawlum[m(?)35 1^m31])的出現(xiàn)當在泰、佬、壯民族分化之后。通過考證末拉姆辟發(fā)(mawlum pee fah)儀式與魔婆(me214 mot31)儀式中不同法器的出現(xiàn)年代,以及上述諸環(huán)節(jié)文化事象的梳理、引證、描述與分析,文章提出了泰東北、老撾所研究區(qū)域末拉姆(mawlum[mo35 1^m31])與廣西右江流域所研究區(qū)域末倫從同源走向異流的假設(shè)。
[Abstract]:In this paper, mawlum [m (?) 35 1 ^ m31] music is taken from Uven, Mahasala, Li Yat, Nafangfu, Mekong River region in northeastern Thailand. The music of mawlum (m (?) 351 ^ m31) and the music of Jingxi County and Debao County in Youjiang River Basin of Guangxi Province are studied as the object of study, and the relationship between the three is studied by comparing the music of mawlum [m (?) 351 ^ m31] in the Mekong coastal area with Laos Vientiane as the center. This paper focuses on two problems. The first is to demonstrate that the music of Teram in Thailand and Laos has undergone the transition from (mawlum pee fah), witchcraft ceremony to (mo pee) witchcraft ceremony. Secondly, whether there is a homologous relationship between the music of mawlum [m (?) 351 ^ m31] in the region of northeast Thailand and Laos and the music of Mellon in the region studied in Guangxi. This paper clarifies the historical relationship between Northeast Thailand and Laos by combing the existing literature. Based on my field investigation and oral data of artists, the relationship between mawlum music in northeast Thailand and Laos is explained. Based on the field investigation in Thailand, Laos and Guangxi and the existing literature, this paper discusses the transformation from witchcraft to art by mawlum [m (?) 351 ^ m31]. This paper discusses the relationship between music behavior in the (mawlum pee fah) ritual of ghost worship and entertainment type (mawlum [m (?) 351 ^ m31]). Synthesizing my field investigation and other documents and materials, we can see that the present Tai, Lao and Zhuang nationalities belong to the same ethnic group, which may have been differentiated during the Southern and Northern dynasties. Through Xishuangbanna and the northern mountains of Laos Kemu people migration to the present region. The Laotai ancestors absorbed the cultural elements of the Kemu people's drinking rituals and musical instruments, such as Kane (Kaen), during their migration. It is used as an accompaniment instrument for mawlum [m (?) 351 ^ m31]. Through a great deal of detailed description and comparative analysis, the paper broadens the cognition that singing in the me214 mot31 ritual in Youjiang area of Guangxi is the ancient source of Moulon. The homologous relationship between mawlum [m (?) 351 ^ m31] and Moulon in the music behavior of Ghost worship ritual. According to the fact that mawlum [m (?) 351 ^ m31] is different, it may be inferred that the appearance of mawlum (mawlum [m (?) 351 ^ m31]) should come after the ethnic differentiation of Tai, Lao and Zhuang. Through textual research on the emergence of different instruments in (mawlum pee fah) ritual and me214 mot31 ritual, as well as the combing, quotation, description and analysis of the cultural events mentioned above, the paper puts forward the northeast of Thailand. The hypothesis that mawlum (mo35 1 ^ m31) and the region studied in Youjiang River Basin of Guangxi Province turn from homology to heterogeneity.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J607
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本文編號：2327125