【摘要】：陜北大嗩吶音樂包含"本調(diào)、凡調(diào)、甲調(diào)、梅花調(diào)、背宮調(diào)、四字調(diào)、六字調(diào)"七個調(diào)名。通過七調(diào)調(diào)名與指法的對應(yīng)關(guān)系,陜北大嗩吶音樂七個調(diào)名對應(yīng)不同的筒音,并有相應(yīng)的指法,是建立在七個調(diào)高上,可循環(huán)往復(fù)演奏"七宮還原"的意義。通過與歷史文獻所載調(diào)名的比對,陜北大嗩吶音樂調(diào)名與定調(diào)符合工尺七調(diào)的標準。其演奏實踐又有重"四宮"的情況。
[Abstract]:The music of northern Shaanxi suona contains seven dialogs: the original tune, the Fan tune, the A tune, the plum blossom tune, the back palace tune, the four character tone, and the six character tone. Through the corresponding relationship between the seven dialogs and the finger method, the seven dialogs of the Northern Shaanxi suona music correspond to different barrel sounds and have the corresponding finger method, which is based on the seven adjustments and can be used to play the meaning of "the Seven Palace Restoration". By comparing with the dionym recorded in the historical literature, it is found that the tunes of the music of the Northern Shaanxi suona are in accordance with the standard of the seven tones of the gongqi. Its performance practice has the heavy "four houses" situation.
【作者單位】： 山西大學(xué)音樂學(xué)院;
【基金】：北京市哲學(xué)社會科學(xué)規(guī)劃課題“明代禮儀制度用樂研究”(14JDWYB002)成果之一
【分類號】：J632.14

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