【摘要】：《茉莉花》是我國民歌中的經(jīng)典之作,它不僅旋律優(yōu)美,情感動人,而且歷史悠久,是中國民歌的瑰寶,如今已成為中國的“音樂名片”。早在明清時期,《茉莉花》的前身《鮮花調(diào)》就已流傳海外,國內(nèi)外多位音樂家都對其進行改編、創(chuàng)作。本文以比較分析法為主要研究方法,對兩首采用相同江蘇民歌《茉莉花》旋律的鋼琴獨奏曲作比較研究,一首是儲望華先生的鋼琴改編曲《茉莉花》,另一首是阿連斯基《練習曲 Op.25No.3》。本文由引言、結(jié)語和主體的四章內(nèi)容構(gòu)成:引言部分主要交代了選題目的、研究現(xiàn)狀以及筆者的研究思路。從本論題所具有的學術(shù)價值和現(xiàn)實意義上來說,《茉莉花》作為一首地道的中國民歌,從明清時期粗陋的民間藝術(shù)到如今登上世界音樂舞臺,期間它不但承受著歲月的打磨,且歷久彌新,這本身就具有極高的學術(shù)吸引力。第一章是兩位作曲家的簡介及概述,兩位作曲家來自不同國籍、不同時代,通過了解其經(jīng)歷,為后文的研究提供背景資料。第二章主要闡釋江蘇民歌《茉莉花》在兩首鋼琴作品中的運用,通過兩首作品的曲式結(jié)構(gòu)、主題旋律、調(diào)式調(diào)性的比較,了解中國民歌旋律在鋼琴作品中的存在方式。第三章是兩首鋼琴作品的演奏技法比較,主要對兩首作品分別進行演奏分析與比較,以期幫助演奏者在今后的演奏與教學中更好地詮釋中國特色的鋼琴作品。第四章是比較研究的意義,從討論對中國鋼琴音樂的影響延伸至民族音樂文化的發(fā)展,通過本文的比較研究,將中國民族音樂繼承發(fā)揚,讓世界通過中國的民歌了解中國音樂甚至中國文化,為世界音樂文化的多樣性出一份力。
[Abstract]:Jasmine is a classic in Chinese folk songs. It not only has beautiful melody, moving emotion, but also has a long history. It is the treasure of Chinese folk songs, and it has become the "card of music" in China. As early as the Ming and Qing dynasties, the predecessor of Jasmine, Flower tone, had spread overseas, and many musicians at home and abroad adapted and created it. Based on comparative analysis, this paper makes a comparative study of two piano solos with the same melody of Jiangsu folk song "Jasmine". The first one is Mr. Chu Wanghua's piano adaptation "Jasmine". The other is Allensky's Etudes Op.25No.3. This paper consists of four chapters: the preface, the conclusion and the main body: the preface mainly explains the purpose of the topic, the status quo of the research and the author's research ideas. In terms of the academic value and practical significance of this thesis, Jasmine, as an authentic Chinese folk song, from the crude folk art of the Ming and Qing dynasties to its presence on the world music stage, not only bears the grinding of the years. And old and new, this itself has a very high academic appeal. The first chapter is the introduction and summary of the two composers, two composers from different nationalities, different times, through the understanding of their experiences, to provide background information for later studies. The second chapter mainly explains the application of Jiangsu folk song "Jasmine" in two piano works. Through the comparison of the two works' musical form structure, theme melody and mode tone, we can understand the existence of Chinese folk song melody in piano works. The third chapter is the comparison of the two piano performance techniques, mainly on the two works of performance analysis and comparison, in order to help players in the future performance and teaching of piano works with Chinese characteristics. The fourth chapter is the significance of comparative study, from the discussion of the impact on Chinese piano music to the development of national music culture, through the comparative study of this article, the Chinese folk music will be inherited and carried forward. Let the world understand Chinese music and even Chinese culture through Chinese folk songs, and contribute to the diversity of world music culture.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J624.1

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本文編號：2317026