【摘要】：音樂與政治的關(guān)系,亙古至今,都是一個不可忽視的客觀真實(shí)。苗族祭祀儀式與音樂豐富多樣,具有明顯的社會教化功能,同時,音樂的使用范圍、使用階層、使用場所反映了鄉(xiāng)村權(quán)力運(yùn)作的邏輯,并借此在日常生活的潛移默化中實(shí)現(xiàn)了強(qiáng)化等級的社會功能,了解這一苗族地區(qū)鄉(xiāng)村權(quán)力運(yùn)作體系,為構(gòu)建和諧社會和多民族和諧共處提供了文化和藝術(shù)的視角。
[Abstract]:The relationship between music and politics, from ancient times to the present, is an objective reality that can not be ignored. The ritual and music of the Miao people are rich and diverse, and have obvious function of social enlightenment. At the same time, the scope, class and place of use of music reflect the logic of the operation of rural power. In order to realize the social function of strengthening the hierarchy in daily life, to understand the rural power operation system in Miao nationality area, to provide a cultural and artistic perspective for the construction of harmonious society and harmonious coexistence of many nationalities.
【作者單位】： 貴州大學(xué)藝術(shù)學(xué)院;
【基金】：貴州省藝術(shù)科學(xué)規(guī)劃青年課題“苗族祭祀音樂與鄉(xiāng)村權(quán)力運(yùn)作研究”的階段性研究成果
【分類號】：J607
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本文編號：2306781