【摘要】：先秦吳越音樂(lè)研究受到"中原史"文獻(xiàn)觀念影響,史料寥若晨星,加上以文獻(xiàn)考據(jù)為途徑的研究方法力所不及,導(dǎo)致吳越音樂(lè)研究受到很大束縛。從宋清金石學(xué)開(kāi)始,吳越相關(guān)音樂(lè)資料不斷積累,直至20世紀(jì)考古學(xué)科發(fā)展成熟以及當(dāng)代吳越考古成果不斷涌現(xiàn),吳越音樂(lè)研究終于擺脫文獻(xiàn)桎梏,逐漸探索出一條新的研究途徑。近幾十年,吳越音樂(lè)研究得益于吳越文化和考古研究繪事后素,從音樂(lè)考古材料中逐漸發(fā)掘出一些新的吳越音樂(lè)文化面貌,尤其是2003年~2005年無(wú)錫鴻山越墓400余件樂(lè)器出土,更為深入研究越國(guó)宮廷音樂(lè)面貌和越國(guó)禮樂(lè)制度提供了契機(jī),先秦吳越音樂(lè)研究日臻成熟。
[Abstract]:The music research of Wu and Yue in the pre-Qin period was influenced by the concept of "the history of the Central Plains", and there were few historical materials as early as the morning star, and the research method based on the textual research of the literature was not able to do so, which led to the great restraint of the music research of Wu and Yue. From the beginning of the Song Dynasty and the Qing Dynasty, the music materials of Wu and Yue were accumulated continuously, until the development of archaeological disciplines in the 20th century and the emergence of contemporary archaeological achievements of Wu and Yue, the music research of Wu and Yue finally got rid of the shackles of the literature. A new research approach was gradually explored. In recent decades, Wu Yue music research has benefited from Wu Yue culture and archaeological research, and gradually excavated some new Wuyue musical cultural features from music archaeological materials, especially in 2003 ~ 2005, more than 400 musical instruments were unearthed from Hongshan Tomb in Wuxi. More in-depth study of Yue court music features and Yue ritual music system provides an opportunity, the pre-Qin Wu Yue music research is maturing.
【作者單位】： 鄭州大學(xué)音樂(lè)學(xué)院;鄭州大學(xué)音樂(lè)考古研究院;
【分類號(hào)】：J609.2

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本文編號(hào)：2290972