【摘要】：在音樂舞臺(tái)演出中,人們對(duì)互動(dòng)的興趣水漲船高。多個(gè)媒介之間的關(guān)系由關(guān)聯(lián)向前遞進(jìn),形成彼此相對(duì)獨(dú)立,相互呼應(yīng)的豐富互動(dòng)形式。只通過觸發(fā)預(yù)置的音頻素材、結(jié)構(gòu)來完成作品的方式中,作曲家和演奏家的思維處在模仿、還原預(yù)想的結(jié)構(gòu)框架之下。毫無疑問,這種方式在很大程度上能夠保證演出的成功,但又會(huì)對(duì)演奏者的即興表演有所限制。隨著科技的發(fā)展,計(jì)算機(jī)作為互動(dòng)關(guān)系之一的重要角色,它能夠做到“傾聽”,并且根據(jù)情況來判斷音樂下一步的進(jìn)行。本文提出的非線性結(jié)構(gòu),雖早在莫扎特時(shí)已有體現(xiàn),但在互動(dòng)音樂形式及計(jì)算機(jī)音樂技術(shù)等的輔助下,非線性結(jié)構(gòu)的體現(xiàn)更為多樣。數(shù)字化的聲音通過精細(xì)算法的映射,實(shí)現(xiàn)了多種非線性思維的實(shí)踐。本文基于人機(jī)之間互動(dòng)關(guān)系,探討了計(jì)算機(jī)如何更大程度的讓演奏員進(jìn)行自由、即興的演奏,即探討實(shí)現(xiàn)非線性結(jié)構(gòu)的多種控制方法。良好的音樂控制能夠產(chǎn)生更為自然的音樂銜接。文中基于漸變?cè)瓌t的銜接和基于“瓦解”原則的銜接是兩種近乎對(duì)立的類別,它們代表了電子音樂中典型的兩種音樂語言。通過研究控制方法及案例分析,總結(jié)通過技術(shù)帶來的便捷以及思維的變化。以本人現(xiàn)今的條件還不足以覆蓋所有的軟件、技術(shù),僅提供一些具有代表性的技術(shù)手段給予讀者參考。繼而通過這些技術(shù)實(shí)現(xiàn)的非線性結(jié)構(gòu)控制方法,淺析作曲家因技術(shù)而改變創(chuàng)作思維的問題。
[Abstract]:In the music stage performance, people's interest in interaction is rising. The relationship between multiple media is progressive by correlation, forming a rich interactive form which is relatively independent of each other and echoes each other. Only by triggering the preset audio material, structure to complete the work, the composer and performer's thinking in imitation, restore the structure of the desired framework. There is no doubt that this approach can guarantee the success of the performance to a large extent, but will limit the improvisation of the performer. With the development of science and technology, the computer, as one of the important roles of interaction, can "listen" and judge the next step of music according to the situation. Although the nonlinear structure presented in this paper has already been embodied in Mozart's time, the nonlinear structure is more diverse with the help of interactive music form and computer music technology. Digital voice can realize the practice of nonlinear thinking through the mapping of fine algorithm. Based on the interaction between human and computer, this paper discusses how the computer can let the performer perform freely and impromptu to a greater extent, that is to say, it discusses various control methods to realize the nonlinear structure. Good music control can produce more natural musical cohesion. Cohesion based on the principle of gradual change and cohesion based on the principle of "disintegration" are two kinds of almost opposite categories, which represent two typical musical languages in electronic music. By studying the control method and case analysis, the paper summarizes the convenience and the change of thinking brought by technology. My current condition is not enough to cover all the software, technology, only to provide some representative technical means to the reader reference. Then the nonlinear structure control method realized by these techniques is used to analyze the problem of the composer changing his creative thinking because of the technology.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J614.8

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本文編號(hào)：2257922