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甘肅民間小調(diào)音樂研究

發(fā)布時間:2018-09-17 09:52
【摘要】:甘肅省是祖國西部省份,地處黃土高原、青藏高原和內(nèi)蒙古高原三大高原的交匯處,地域遼闊,是個多山的省份。隴東、隴中黃土高原位于甘肅省東部和中部地區(qū),東起甘陜省界,西至烏鞘嶺畔;隴南山地溝壑縱橫,山高林茂,到處清流不息;河西走廊位于祁連山以北,北山以南,東起烏鞘嶺,西至甘新交界,是塊自東向西、由南向北傾斜的狹長地帶。本文運(yùn)用文獻(xiàn)研究法,在大量查閱民間小調(diào)和地理學(xué)相關(guān)書籍的基礎(chǔ)上,發(fā)現(xiàn)地理成因?qū)γ耖g小調(diào)風(fēng)格性色彩的形成具有一定的影響,方言在小調(diào)中起到了極其重要的作用。而甘肅地域狹長,因地域的不同,各地方言也有不同。國內(nèi)專家學(xué)者對甘肅民間音樂的關(guān)注和研究日益增多,很多論文著重點(diǎn)多在甘肅某一地區(qū),以描寫某一地區(qū)的民間小調(diào)為中心內(nèi)容展開論述,而與其相近地域的民間小調(diào)卻少有綜合論述或研究,更少有對甘肅民間小調(diào)的一個綜合性音樂研究。本論文不僅對整個甘肅地區(qū)民間小調(diào)進(jìn)行了全面的音樂分析,并且在音樂分析的基礎(chǔ)上,對甘肅民間小調(diào)的腔詞特點(diǎn)進(jìn)行了梳理和分析。本論文分為四個章節(jié),第一章緒論是研究現(xiàn)狀、方法及意義;第二章介紹了甘肅民間小調(diào)概況,從甘肅民間小調(diào)的分布和分類入手介紹甘肅民間小調(diào);第三章對甘肅民間小調(diào)進(jìn)行音樂分析,按地域的不同對甘肅民間小調(diào)進(jìn)行音樂本體分析;第四章是甘肅民間小調(diào)的音樂特征,也是本文的重點(diǎn)章節(jié),從歌詞特點(diǎn)、襯詞襯腔、潤腔潤句等方面突出了甘肅民間小調(diào)的腔詞特點(diǎn)。在甘肅民間小調(diào)音樂本體分析的基礎(chǔ)上,加入了腔詞分析,通過腔詞分析,看出各地方言是甘肅民間小調(diào)旋律走向以及民間小調(diào)的色彩形成的重要成因,這也是甘肅民間小調(diào)色彩紛呈的原因。本論文從音樂學(xué)的角度,以隴東、隴南、河西、隴中為切入點(diǎn),對甘肅地區(qū)民間小調(diào)進(jìn)行音樂形態(tài)的分析,對其所在地區(qū)典型性的民間小調(diào)從曲式結(jié)構(gòu)、調(diào)式調(diào)性以及節(jié)奏節(jié)拍等方面進(jìn)行分析和研究。以民族音樂學(xué)的視角去解讀和分析甘肅民間小調(diào)音樂文化,深入闡述甘肅民間小調(diào)的音樂文化特征,對甘肅民間小調(diào)今后的傳承與保護(hù)提出一點(diǎn)自己的建議。
[Abstract]:Gansu Province is the western province of the motherland, is located in the Loess Plateau, Qinghai-Tibet Plateau and Inner Mongolia Plateau of the intersection of the three highlands, vast territory, is a mountainous province. Longdong, Longzhong Loess Plateau is located in the eastern and central areas of Gansu Province. It starts from the Gansu and Shaanxi provinces in the east and reaches the Wushaoling bank in the west; the mountain gullies in Longnan are vertical and horizontal, the mountains are high and the forests are luxuriant, and the Hexi Corridor is located in the north of the Qilian Mountains and south of the North Mountains. East Wushaoling, west to Ganxin junction, is a block from east to west, from south to north sloping narrow strip. Based on a large number of books on folk minor and geography, this paper finds that geographical origin has certain influence on the formation of folk minor style color, and dialect plays an extremely important role in minor. But Gansu area is long and narrow, because of the region's difference, each place dialect also has the difference. Domestic experts and scholars are paying more and more attention to and studying folk music in Gansu. Many papers focus on a certain region of Gansu, with the description of folk minor as the central content. However, there are few comprehensive studies on folk minor and a comprehensive study of Gansu folk minor. This paper not only carries on the comprehensive music analysis to the whole Gansu area folk minor key, and on the basis of the music analysis, has carried on the comb and the analysis to the Gansu folk minor key cavity word characteristic. This paper is divided into four chapters, the first chapter is the introduction of the research status, methods and significance, the second chapter introduces the general situation of Gansu folk minor, from the distribution and classification of Gansu folk minor to introduce Gansu folk minor; The third chapter is the music analysis of Gansu folk minor, according to different regions of Gansu folk minor music Noumenon analysis; the fourth chapter is Gansu folk minor music characteristics, but also the key chapter of this article, from the lyrics characteristics, lining words, Runcai run sentence and other aspects highlight the characteristics of Gansu folk minor colloquial words. On the basis of the Noumenon Analysis of the Folk minor Music in Gansu Province, the analysis of the colloquial words is added. Through the analysis of the colloquial words, we can see that local dialects are the important causes of the trend of the melody in the folk minor and the formation of the color of the folk minor in Gansu. This is also the reason for the colorful folk minor in Gansu. From the point of view of musicology, this paper takes Longdong, Longnan, Hexi and Longzhong as the breakthrough point, analyzes the music form of the folk minor in Gansu region, and analyzes the typical folk minor structure of the region. Analysis and research on modulation and rhythm. From the perspective of ethnomusicology, this paper interprets and analyzes the folk minor music culture in Gansu, expounds the music culture characteristics of Gansu folk minor, and puts forward some suggestions for the inheritance and protection of Gansu folk minor in the future.
【學(xué)位授予單位】:西北民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J607

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 馬璇;武都民間小調(diào)研究[D];蘭州大學(xué);2015年

2 鄭玉林;隴東民歌的特征分析[D];西北師范大學(xué);2010年



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