【摘要】：尼科羅·帕格尼尼是歷史上最著名的小提琴大師之一,他對小提琴的演奏技術(shù)進(jìn)行了很多創(chuàng)新。同時(shí),他作為歐洲晚期古典樂派和早期浪漫樂派的作曲家,經(jīng)歷了意大利一系列的社會(huì)變革,“復(fù)興”時(shí)代的英雄主義與叛逆思想對他的音樂創(chuàng)作產(chǎn)生了很深的影響,他的音樂創(chuàng)作為器樂演奏藝術(shù)中的浪漫主義方向奠定了基礎(chǔ)。帕格尼尼是一位多產(chǎn)的作曲家,他的作品題材廣泛,且膾炙人口的作品非常多,其中最為著名的就是他在十九世紀(jì)初期創(chuàng)作的《二十四首隨想曲》。這部作品堪稱小提琴演奏藝術(shù)的百科全書和小提琴家們的試金石,是帕格尼尼打破舊的演奏傳統(tǒng)的杰作。其中包含了多種多樣的曲式和音樂題材,運(yùn)用了意大利民間音樂中具有典型性特征的題材。最為人稱道的就是他這部作品中對于小提琴演奏技巧的革新,他大膽的采用了半音模進(jìn)、新穎的和聲、新型的節(jié)奏組合和多變的速度等,還有撥弦、泛音、拋弓、飛頓弓等演奏技術(shù)。本文選擇了最具有代表性的第二十四首隨想曲,分為引言、正文三個(gè)章節(jié)和結(jié)語三個(gè)部分,從音樂風(fēng)格和演奏技術(shù)兩個(gè)方面對這首作品進(jìn)行論述和分析。引言是對研究課題的選定以及研究意義的闡述。第一章分為三個(gè)小節(jié),分別對帕格尼尼的生平、音樂創(chuàng)作和《二十四首隨想曲》的創(chuàng)作背景三方面進(jìn)行簡要論述。第二章分為兩個(gè)小節(jié),分別對第二十四首隨想曲中的一些有代表性的變奏的音樂風(fēng)格和所有十一個(gè)變奏的演奏技術(shù)進(jìn)行分析。第三章對第二十四首隨想曲中一些具有代表性的變奏中的演奏技術(shù)從訓(xùn)練方法的角度上進(jìn)行了簡要的分析,通過一系列的訓(xùn)練方法來達(dá)到這首作品對于演奏技術(shù)的要求。通過對這首作品的音樂特點(diǎn)和演奏技術(shù)的分析和研究,更加深入和全面的把握了帕格尼尼的音樂風(fēng)格和技術(shù)特點(diǎn),將對這些方面的理解充分運(yùn)用到這首作品的演奏中,從而實(shí)現(xiàn)對帕格尼尼隨想曲中“炫技”風(fēng)格更好的演繹。
[Abstract]:Nicola Paganini is one of the most famous violin masters in history. He has made many innovations in violin playing techniques. At the same time, as a composer of the late European classical music school and the early romantic music school, he experienced a series of social changes in Italy. The heroism and rebellious thought of the "Renaissance" era had a deep influence on his music creation. His music creation laid the foundation for the romantic direction in instrumental music. Paganini is a prolific composer whose works have a wide range of subjects and many popular works, the most famous of which is the < 24 tunes he wrote in the early 19th century. The encyclopedia of violin performance and the litmus of violinists is Paganini's masterpiece to break the old tradition. It contains a variety of musical forms and themes, using the Italian folk music with typical features of the subject matter. What is most appreciated is his innovation in violin playing techniques, his bold adoption of semitone patterns, novel harmony, new rhythmic combinations and variable speeds, as well as plucking, overtones, and throwing bows. Flying bow and other playing techniques. This article chooses the most representative 24 random song, divides into the introduction, the main body three chapters and the conclusion three parts, from the music style and the performance technique two aspects carries on the elaboration and the analysis to this work. Introduction is the selection of research topics and the significance of the elaboration. The first chapter is divided into three sections: the life of Paganini, the music creation and the background of "24". The second chapter is divided into two sections. It analyzes the musical styles of some representative variations and the playing techniques of all eleven variations respectively. The third chapter briefly analyzes the performance techniques of some representative variations in the 24 song from the perspective of training methods, through a series of training methods to meet the requirements of this piece of performance technology. Through the analysis and study of the musical characteristics and performance techniques of this work, we have grasped Paganini's musical style and technical characteristics more thoroughly and comprehensively, and have fully applied the understanding of these aspects to the performance of this work. In order to achieve a better interpretation of Paganini in the "flashy" style.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J622.1

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本文編號：2245232