【摘要】：鋼琴協(xié)奏曲《黃河》是1969年由殷承宗、劉莊、盛禮洪、許斐星、石叔誠和儲望華六人根據(jù)抗日戰(zhàn)爭時期,愛國救亡的大型音樂組曲《黃河大合唱》改編而成。這部鋼琴協(xié)奏曲以西方鋼琴協(xié)奏曲的表現(xiàn)手法為主同時在樂曲的曲式結(jié)構(gòu)上又融入了,富有中國民間傳統(tǒng)音樂元素的船夫號子等曲式。這部鋼琴協(xié)奏曲由愛國救亡組曲《黃河大合唱》為基調(diào),富有強(qiáng)烈的民族性。本次研究主要從《黃河》協(xié)奏曲整體所體現(xiàn)出的民族性和各個樂章中所體現(xiàn)出的民族性為研究對象,從樂曲的樂章構(gòu)成、旋律特征、和聲運(yùn)用和樂器選擇四個方面整體把握《黃河協(xié)奏曲中所展現(xiàn)的民族性;同時又根據(jù)樂章分布對各個樂章中所展現(xiàn)出的民族性進(jìn)行分析和匯總。
[Abstract]:Piano Concerto Yellow River was composed of Yin Chengzong, Liu Zhuang, Sheng Lihong, Xu Feanxing, Shi Shucheng and Chu Wanghua in 1969. The piano concerto is mainly composed of the western piano concerto, and it is also integrated in the musical form structure, which is rich in the traditional Chinese folk music elements, such as the boatman's horn and so on. The piano concerto is based on the theme of the Patriotic Suite, Yellow River Chorus, which has a strong national character. This study mainly from the "Yellow River" Concerto as a whole reflected the national character and each movement reflected in the national character as the object of study, from the composition of the music, melody characteristics, In the four aspects of the use of harmony and the choice of musical instruments, the nationality displayed in the "Yellow River Concerto" is grasped as a whole, and at the same time, the nationality shown in each movement is analyzed and summarized according to the distribution of the movement.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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相關(guān)期刊論文 前2條

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