舒曼鋼琴套曲《克萊斯勒偶記》的演奏分析
發(fā)布時(shí)間：2018-09-09 08:18
【摘要】：羅伯特·舒曼Robert Schumann(1810.6-1856.7),是德國著名的作曲家與音樂評(píng)論家,同時(shí)又是19世紀(jì)歐洲浪漫派音樂家中,最善于描畫人心、最具有想象力、作品最具有詩情畫意的作曲家。舒曼的一生中創(chuàng)作了大量的作品,包括藝術(shù)歌曲,鋼琴獨(dú)奏曲,室內(nèi)樂套曲,交響曲,歌劇,管弦樂協(xié)奏曲等,其中鋼琴音樂的創(chuàng)作最為突出,體現(xiàn)了他非凡的創(chuàng)作才華與豐富的內(nèi)心世界,他的作品在嚴(yán)謹(jǐn)?shù)倪壿嬛型嘎吨娗?在細(xì)膩的手法里飽含著激情,使他被稱為“音樂詩人”�！八菢穳系幕舴蚵妥尅け枴变撉偬浊犊巳R斯勒偶記》是羅伯特·舒曼創(chuàng)作成熟階段產(chǎn)生的一部作品,同時(shí)也是他在這一階段最具有代表性最輝煌的一部作品。此首作品的標(biāo)題來源于霍夫曼故事中的一位主人公,這是舒曼在創(chuàng)作中的靈感來源。《克萊斯勒偶記》中包含的多變的情緒思維,以及復(fù)雜的感情表達(dá),都是舒曼個(gè)人情緒的抒發(fā)與表達(dá)自我的體現(xiàn)。舒曼認(rèn)為“音樂”是“詩”的一種體現(xiàn)方式,作品中詩情與幻想以及強(qiáng)烈的情緒沖突都需要演奏者通過合理的演奏來體現(xiàn),所以本文通過對(duì)此作品文學(xué)內(nèi)涵的理解,著重分析演奏方式,對(duì)演奏者合理演繹此鋼琴套曲提供一些啟示,也為理解舒曼的其它鋼琴音樂作品提供一些合理的理解方向。
[Abstract]:Robert Schumann (1810.6-186.7) is a famous German composer and music critic, and also a European romantic musician in the 19th century, who is the most imaginative and poetic composer. Schumann created a large number of works in his life, including art songs, piano solos, chamber ensembles, symphonies, operas, orchestral concertos, and so on. He embodies his extraordinary creative talent and rich inner world. His works reveal poetic feelings in rigorous logic and passion in delicate techniques, which makes him known as "music poet". "he is the Hoffman and Jean Paul piano suite" Chrysler "is a work produced in the mature stage of Robert Schumann's creation, at the same time, it is his most representative and brilliant work at this stage. The title of this piece comes from a hero in the Hoffman story, which is Schumann's inspiration in the creation. It is the expression of Schumann's personal emotion and self-expression. Schumann thinks that "music" is a kind of embodiment of "poem". In the works, the poetic feelings, fantasies and intense emotional conflicts need to be reflected by the performer through reasonable performance, so this paper understands the literary connotation of the works. The analysis of the performance mode provides some enlightenment for the players to interpret the piano suite reasonably, and also provides some reasonable understanding direction for the understanding of Schumann's other piano music works.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1
，
本文編號(hào)：2231823
[Abstract]:Robert Schumann (1810.6-186.7) is a famous German composer and music critic, and also a European romantic musician in the 19th century, who is the most imaginative and poetic composer. Schumann created a large number of works in his life, including art songs, piano solos, chamber ensembles, symphonies, operas, orchestral concertos, and so on. He embodies his extraordinary creative talent and rich inner world. His works reveal poetic feelings in rigorous logic and passion in delicate techniques, which makes him known as "music poet". "he is the Hoffman and Jean Paul piano suite" Chrysler "is a work produced in the mature stage of Robert Schumann's creation, at the same time, it is his most representative and brilliant work at this stage. The title of this piece comes from a hero in the Hoffman story, which is Schumann's inspiration in the creation. It is the expression of Schumann's personal emotion and self-expression. Schumann thinks that "music" is a kind of embodiment of "poem". In the works, the poetic feelings, fantasies and intense emotional conflicts need to be reflected by the performer through reasonable performance, so this paper understands the literary connotation of the works. The analysis of the performance mode provides some enlightenment for the players to interpret the piano suite reasonably, and also provides some reasonable understanding direction for the understanding of Schumann's other piano music works.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1
，
本文編號(hào)：2231823
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