【摘要】：嵇康與何晏、王弼、向秀、郭象等主流玄學(xué)家以本體論為研究重點(diǎn)、為名教正名為目的、采用三玄注解之方式的玄學(xué)路數(shù)相異,在于其認(rèn)識論中的科學(xué)方法——亦即他在音樂哲學(xué)上取得前無古人成就的重要原因。嵇康并沒有對哲學(xué)本體論表現(xiàn)出太大興趣,他關(guān)心的是形而上與形而下的聯(lián)結(jié),即“氣”與“至理”(“自然之理”)。他以演繹結(jié)論為出發(fā)點(diǎn),并花費(fèi)大量精力進(jìn)行“格物致知”的“科學(xué)研究”來校驗(yàn)——音樂內(nèi)部的運(yùn)動規(guī)律、養(yǎng)生規(guī)律、心理規(guī)律、堪輿術(shù)之合理性等等。藉由分類之學(xué)所得之相對確定的結(jié)論,嵇康建立了一個相當(dāng)規(guī)模的知識體系,并將演繹思想與不斷對此知識體系內(nèi)部之關(guān)聯(lián)進(jìn)行歸納相結(jié)合來實(shí)現(xiàn)其追求“至理”的理想。嵇康的“至理”方法論融合了傳統(tǒng)道家“天人合一”思想與漢代新道家的唯物思想,既重視抽象演繹,又重視經(jīng)驗(yàn)歸納；既視自然與人為一的整體性,又在認(rèn)識論上將自然界作為一個獨(dú)立的認(rèn)識對象——由此導(dǎo)出分類思想,是科學(xué)發(fā)展的基礎(chǔ),而為人的認(rèn)識能力劃定范圍又是哲學(xué)認(rèn)識論的重點(diǎn)。嵇康的音樂研究屬于其思想體系的重要分支,大大消除了之前道家音樂理論中的神秘性；不僅與主流玄學(xué)家不同,在整個魏晉藝術(shù)史中,也是獨(dú)樹一幟。
[Abstract]:The mainstream metaphysics such as Ji Kang and he Yan, Wang Bi, Xiang Xiu, Guo Xiang and other mainstream metaphysics scholars have different ways of studying metaphysics, which focus on ontology, teach names as names, and adopt the method of three metaphysics annotations. The scientific method in his epistemology is the important reason for his unprecedented achievement in music philosophy. Ji Kang did not show much interest in philosophical ontology. He was concerned about the connection between metaphysics and metaphysics, that is, "Qi" and "Zhi Li" ("natural reason"). He takes deductive conclusion as the starting point, and spends a lot of energy on "scientific research" to verify the movement, health, psychology and rationality of the music. Based on the relative certainty of classification, Ji Kang established a knowledge system of a considerable scale, and combined deductive thinking with the continuous induction of the internal relevance of the knowledge system to realize the ideal of "truth". Ji Kang's "Zhili" methodology combines the traditional Taoist thought of "harmony of nature and man" with the materialistic thought of the new Taoist school of the Han Dynasty, which attaches importance to both abstract deduction and empirical induction, as well as the integrity of nature and man. It is the basis of scientific development to take nature as an independent object of cognition in epistemology, which is the basis of scientific development, and the focus of philosophical epistemology is to define the scope of human cognitive ability. Ji Kang's music research belongs to the important branch of his thought system, which greatly eliminates the mystery in the previous Taoist music theory. It is not only different from the mainstream metaphysics, but also unique in the whole Wei and Jin art history.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J609.2
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本文編號：2231518