【摘要】：袁靜芳先生深耕傳統(tǒng)音樂理論五十余載,不斷挖掘傳統(tǒng)音樂理論的深層內(nèi)涵,形成超常的學(xué)術(shù)敏感。她把握中國人自己的音樂創(chuàng)作技法和功能為用的理念,認(rèn)知?dú)v史形態(tài)并結(jié)合當(dāng)下活態(tài)傳承不斷總結(jié),走出具有中國特色的學(xué)術(shù)之路。器樂形態(tài)是最具禮樂與俗樂共在典型性意義的音聲類型,她夯實(shí)器樂研究,整體拓展,從功能意義上整體認(rèn)知中國傳統(tǒng)音樂文化。作為傳統(tǒng)音樂研究的領(lǐng)軍人物,她高屋建瓴,帶領(lǐng)碩博研究生團(tuán)隊(duì)圍繞"中國傳統(tǒng)音樂理論"分層分類全面架構(gòu),為中國音樂形態(tài)研究整體意義的深化奠定了堅(jiān)實(shí)的基礎(chǔ)。對(duì)中國傳統(tǒng)音樂理論話語的體系化構(gòu)建、為中國音樂文化的發(fā)展做出了卓越貢獻(xiàn)。
[Abstract]:For more than 50 years, Mr. Yuan Jingfang deeply cultivated the traditional music theory, and constantly excavated the deep connotation of the traditional music theory, forming an extraordinary academic sensitivity. She grasps the Chinese own music creation technique and the function uses the idea, the cognition historical form and the union present living state inheritance unceasingly summarizes, has the Chinese characteristic academic road. The form of instrumental music is the most typical sound type in the typical meaning of both ritual and popular music. She rammed up the research of instrumental music and expanded it as a whole to recognize Chinese traditional music culture in a functional sense. As a leading figure in traditional music research, she led the graduate student team of Shuobo to form a solid foundation for the deepening of the overall significance of the study of Chinese music form by focusing on the stratified classification and comprehensive structure of "Chinese traditional music theory". The systematization of Chinese traditional music theory has made great contribution to the development of Chinese music culture.
【作者單位】： 中國藝術(shù)研究院音樂研究所;
【分類號(hào)】：J60-4

【相似文獻(xiàn)】

相關(guān)期刊論文 前2條

1 王希彥;上下幾千年 縱橫數(shù)千里——評(píng)介袁靜芳的《民族器樂》[J];中國音樂;1987年04期

2 ;[J];;年期

，

本文編號(hào)：2200983