建始絲弦鑼鼓的文化空間研究
發(fā)布時(shí)間：2018-08-17 14:02
【摘要】：建始絲弦鑼鼓是流傳于恩施州建始縣各鄉(xiāng)鎮(zhèn)的一種民間音樂(lè)藝術(shù),它是由當(dāng)?shù)氐霓恫蓁尮暮退ｈ尮?混融很多優(yōu)秀的外來(lái)音樂(lè)元素而形成的。建始絲弦鑼鼓作為非物質(zhì)文化遺產(chǎn),是民族審美、民族認(rèn)同、民族習(xí)性等的綜合體現(xiàn),文化空間之于絲弦鑼鼓有著至關(guān)重要的作用,它承載的是建始土家族的文化符號(hào)、價(jià)值觀、文化象征、集體記憶和歷史記憶,能夠折射出建始土家族的歷史發(fā)展,是民族文化的生存空間和載體。本文主要采用個(gè)案研究法、田野調(diào)查法、文獻(xiàn)研究法以及訪談?wù){(diào)查法。在整理概述靜態(tài)的絲弦鑼鼓的起源、類別和特點(diǎn)的基礎(chǔ)上,從動(dòng)態(tài)探討了絲弦鑼鼓文化空間的表征及其變遷,分析了引起變遷的動(dòng)因,并提出根據(jù)文化空間的特性,在現(xiàn)代化背景下對(duì)建始絲弦鑼鼓的文化空間具有針對(duì)性地保護(hù)建議,以期對(duì)建始絲弦鑼鼓的更好發(fā)展作出一定的貢獻(xiàn)。本文分為五個(gè)部分。第一部分為緒論,分析了非物質(zhì)文化傳承的重要性,文化空間研究的迫切性,以及建始絲弦鼓對(duì)文化空間的依賴性。第二部分從靜態(tài)概述了建始絲弦鑼鼓的形成、類別及特點(diǎn),概述了文化空間的概念、內(nèi)涵和特性等。第三部分主要是以建始絲弦鑼現(xiàn)今的動(dòng)態(tài)形式為基礎(chǔ),探討其文化空間的表征,將建始絲弦鑼鼓的文化空間按場(chǎng)所和時(shí)間進(jìn)行分類研究。按照?qǐng)鏊譃楣潭▓?chǎng)所類絲弦鑼鼓文化空間和無(wú)固定場(chǎng)所類絲弦鑼鼓文化空間,按照時(shí)間分為初始性絲弦鑼鼓文化空間和再生性絲弦鑼鼓文化空間。并從地域性、活態(tài)性和傳承性三個(gè)方面分析了建始絲弦鑼鼓文化空間的特征。第四部分對(duì)建始絲弦鑼鼓文化空間的變遷以及變遷的動(dòng)因進(jìn)行了研究。分別從形式、場(chǎng)域、內(nèi)容和觀念等方面具體分析了其變遷的體現(xiàn),然后從社會(huì)制度、經(jīng)濟(jì)關(guān)系和人口與社會(huì)關(guān)系的角度分析了影響其變遷的動(dòng)因。第五部分嘗試對(duì)建始絲弦鑼鼓文化空間的保護(hù)提出些許建議,為研究提供一些現(xiàn)實(shí)意義。
[Abstract]:Jianshi silk string gongs and drums are a kind of folk music art which is spread in the towns and villages of Jianshi county of Enshi prefecture. It is formed by the local grass gongs and drums and gongs and drums mixed with many excellent elements of foreign music. As an intangible cultural heritage, Jianshi silk string gongs and drums are a comprehensive embodiment of national aesthetics, national identity, national habits, etc. Cultural space plays a vital role in silk strings, gongs and drums, and it bears the cultural symbols of the Jianshi Tujia nationality. Values, cultural symbols, collective memory and historical memory can reflect the historical development of Jianchi Tujia nationality and are the living space and carrier of national culture. This paper mainly adopts case study, field investigation, literature research and interview investigation. On the basis of summing up the origin, category and characteristics of the static silk string gongs and drums, this paper discusses dynamically the representation and changes of the cultural space of the silk strings gongs and drums, analyzes the causes of the changes, and puts forward the characteristics of the cultural space according to the characteristics of the cultural space. Under the background of modernization, it is suggested to protect the cultural space of Jianshi silk string gongs and drums in order to make some contributions to the better development of Jianshi silk string gongs and drums. This paper is divided into five parts. The first part is the introduction, which analyzes the importance of immaterial cultural inheritance, the urgency of cultural space research, and the dependence of Jianshi silk string drum on cultural space. The second part gives a static overview of the formation, category and characteristics of Jianshi silk string gongs and drums, as well as the concept, connotation and characteristics of cultural space. The third part is mainly based on the present dynamic form of Jianshi silk string gong, discusses the representation of its cultural space, and classifies the cultural space of Jianshi silk string gong according to place and time. According to the place, it can be divided into the culture space of fixed place and the culture space of non-fixed place. According to the time, it can be divided into the initial culture space of silk string gongs and drums and the culture space of regenerative silk string gongs and drums. The characteristics of the cultural space of Jianshi string gongs and drums are analyzed from three aspects of regionality, livability and inheritance. The fourth part studies the change of cultural space and its causes. The paper analyzes the embodiment of its vicissitude from the aspects of form, field, content and concept, and then analyzes the reasons that influence its vicissitude from the angle of social system, economic relation and population and social relation. The fifth part tries to put forward some suggestions on the protection of the cultural space of Jianshi silk string gongs and drums, which provides some practical significance for the study.
【學(xué)位授予單位】：湖北民族學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J607
[Abstract]:Jianshi silk string gongs and drums are a kind of folk music art which is spread in the towns and villages of Jianshi county of Enshi prefecture. It is formed by the local grass gongs and drums and gongs and drums mixed with many excellent elements of foreign music. As an intangible cultural heritage, Jianshi silk string gongs and drums are a comprehensive embodiment of national aesthetics, national identity, national habits, etc. Cultural space plays a vital role in silk strings, gongs and drums, and it bears the cultural symbols of the Jianshi Tujia nationality. Values, cultural symbols, collective memory and historical memory can reflect the historical development of Jianchi Tujia nationality and are the living space and carrier of national culture. This paper mainly adopts case study, field investigation, literature research and interview investigation. On the basis of summing up the origin, category and characteristics of the static silk string gongs and drums, this paper discusses dynamically the representation and changes of the cultural space of the silk strings gongs and drums, analyzes the causes of the changes, and puts forward the characteristics of the cultural space according to the characteristics of the cultural space. Under the background of modernization, it is suggested to protect the cultural space of Jianshi silk string gongs and drums in order to make some contributions to the better development of Jianshi silk string gongs and drums. This paper is divided into five parts. The first part is the introduction, which analyzes the importance of immaterial cultural inheritance, the urgency of cultural space research, and the dependence of Jianshi silk string drum on cultural space. The second part gives a static overview of the formation, category and characteristics of Jianshi silk string gongs and drums, as well as the concept, connotation and characteristics of cultural space. The third part is mainly based on the present dynamic form of Jianshi silk string gong, discusses the representation of its cultural space, and classifies the cultural space of Jianshi silk string gong according to place and time. According to the place, it can be divided into the culture space of fixed place and the culture space of non-fixed place. According to the time, it can be divided into the initial culture space of silk string gongs and drums and the culture space of regenerative silk string gongs and drums. The characteristics of the cultural space of Jianshi string gongs and drums are analyzed from three aspects of regionality, livability and inheritance. The fourth part studies the change of cultural space and its causes. The paper analyzes the embodiment of its vicissitude from the aspects of form, field, content and concept, and then analyzes the reasons that influence its vicissitude from the angle of social system, economic relation and population and social relation. The fifth part tries to put forward some suggestions on the protection of the cultural space of Jianshi silk string gongs and drums, which provides some practical significance for the study.
【學(xué)位授予單位】：湖北民族學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J607
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