論竹笛協(xié)奏曲《鷹之戀》
發(fā)布時間：2018-08-14 17:38
【摘要】：《鷹之戀》作為早期深具少數(shù)民族特色的竹笛協(xié)奏曲,從其獨特的少數(shù)民族風味到作品的演奏都值得廣大的竹笛愛好者去深入研究和探討。本文章分為六個章節(jié),來分別討論這個作品。第一部分通過對《鷹之戀》創(chuàng)作的時代背景、作曲家及作曲家的創(chuàng)作意圖的分析來闡述這個作品的由來,同時也是通過了解這首作品的由來定位這首作品的時代意義。第二個章節(jié)主要深究其內(nèi)在的新疆少數(shù)民族的音樂元素,主要是針對作品取材個性和共性的分析,也就是作品中塔吉克民族音樂的個性的存在和新疆整體少數(shù)民族音樂共性的存在。通過其取材的分析來定位整個作品的民族內(nèi)涵和民族意義。第三章是和同類風格作品《帕米爾的春天》的對比分析。通過深究兩者的異同來更好的突出《鷹之戀》這首作品在同類型竹笛作品中的個性和共性。第四章和第五章是對演奏者在具體演奏中可能遇見的演奏問題和處理辦法的一些探討。力圖從演奏中去論證和闡述這個作品的現(xiàn)實意義。第六章,是對這首作品時代意義、民族意義和現(xiàn)實意義的總結(jié)和補足。
[Abstract]:As an early concerto of bamboo flute with the characteristics of ethnic minorities, Eagle Love is worthy of further study and discussion by the broad masses of bamboo flute lovers, from its unique minority flavor to the performance of their works. This article is divided into six chapters to discuss this work separately. The first part expounds the origin of this work through the analysis of the background of the creation of the Eagle and the intention of the composer and the composer. At the same time, it defines the significance of the work by understanding the origin of the work. The second chapter mainly explores the musical elements of the Xinjiang ethnic minorities, which is mainly aimed at the analysis of the individuality and commonness of the works. This is the existence of the individuality of Tajik national music and the existence of the general character of the whole minority music in Xinjiang. Through the analysis of its material to locate the national connotation and national significance of the whole work. The third chapter is the comparative analysis with the similar style works, "the Spring of Pamir". By studying the similarities and differences of the two works, the author better highlights the individuality and commonness of this work in the works of bamboo flute of the same type. The fourth and fifth chapters discuss the problems and solutions that the players may meet in the performance. Try to demonstrate and expound the realistic meaning of this work from playing. Chapter six summarizes and complements the significance of the time, nation and reality of this work.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J632.11
本文編號：2183610
[Abstract]:As an early concerto of bamboo flute with the characteristics of ethnic minorities, Eagle Love is worthy of further study and discussion by the broad masses of bamboo flute lovers, from its unique minority flavor to the performance of their works. This article is divided into six chapters to discuss this work separately. The first part expounds the origin of this work through the analysis of the background of the creation of the Eagle and the intention of the composer and the composer. At the same time, it defines the significance of the work by understanding the origin of the work. The second chapter mainly explores the musical elements of the Xinjiang ethnic minorities, which is mainly aimed at the analysis of the individuality and commonness of the works. This is the existence of the individuality of Tajik national music and the existence of the general character of the whole minority music in Xinjiang. Through the analysis of its material to locate the national connotation and national significance of the whole work. The third chapter is the comparative analysis with the similar style works, "the Spring of Pamir". By studying the similarities and differences of the two works, the author better highlights the individuality and commonness of this work in the works of bamboo flute of the same type. The fourth and fifth chapters discuss the problems and solutions that the players may meet in the performance. Try to demonstrate and expound the realistic meaning of this work from playing. Chapter six summarizes and complements the significance of the time, nation and reality of this work.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J632.11
【參考文獻】
相關(guān)期刊論文 前2條
1 劉再生;;根植傳統(tǒng) 求新求變——聽劉文金民族音樂作品音樂會有感[J];人民音樂;2006年05期
2 吳紅非;劉文金二胡作品的題材、技法和體裁[J];中國音樂;2003年04期
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