【摘要】：《香蓮帕》,又名《忠義傳》《忠義傳香蓮帕》,是清代宮廷承應戲之一種。它除卻與御制宮廷大戲所共同具有的凸顯詞臣奉詔編寫時以史為鑒的政治目的,也著力彰顯另一主題以“香蓮帕”為信物的男女主人公的曲折情緣。演劇方面,《香蓮帕》在清代宮廷和民間時有演出,是四喜班代表劇目之一,在當代不同地方劇種以及各種曲藝中都有曲目留存,作為在清代宮廷搬演的連臺本戲之一,在民間也以不同形式演出流傳�！断闵徟痢返墓适率前l(fā)生在明穆宗年間,雖有歷史人物,但題材也是“三分史實七分虛構(gòu)”,故事來源于鼓詞。清代以后鼓詞演唱興盛,《香蓮帕》先以“鼓詞”形式出現(xiàn),后被改編成了連臺本戲,另外它的改編也應受到了民間評話、說唱等的影響�！断闵徟痢返膭”緛碓粗饕腥�,清宮廷檔案戲曲資料、北京車王府以及周信芳先生收藏的曲本。本文主要以清宮戲曲檔案為研究的主體材料,以宮廷抄本的文本分析和宮廷演劇情況為研究的重點,通過運用比較研究、綜合分析等方法,將升平署檔案中有關(guān)本劇的演出人員、時間、地點情況摘錄整理,了解各朝代演出特點,分析歷經(jīng)數(shù)朝演出留下的不同演出腳本,同時將當代這個劇目在各地方的演出情況納入研究。本文開端簡要介紹《香蓮帕》的故事梗概,結(jié)合前人對本劇劇史的考證及研究結(jié)論,通過與鼓詞《香蓮帕》的出目比較、故事情節(jié)比較等,來考察《香蓮帕》故事來源。通過對當前保存下來《香蓮帕》曲本資料的搜集,將《香蓮帕》按宮廷、車王府、個人收藏三處不同的曲本來源進行分類,清宮存有總本、提綱、串頭、曲譜四種不同版本,民間有車王府本和周信芳藏本兩種版本留存。繼而在版本情況梳理的基礎上進行具體的文本研究,從劇本的文學性出發(fā),分析《香蓮帕》的主要思想內(nèi)容、劇本呈現(xiàn)的價值傾向,了解整部連本戲?qū)χ揖�、勸諫等傳統(tǒng)思想的承襲。通過文本細讀,分析劇本的關(guān)目設置、情節(jié)結(jié)構(gòu),了解劇本中對一眾英雄群像的刻畫、主要人物形象的塑造及曲詞念白的語言特點。并進行兩種不同曲本的比較,得出宮廷曲本基于統(tǒng)治者觀看的要求在情節(jié)內(nèi)容上的表現(xiàn)的側(cè)重點與其他曲本的不同之處,以及曲詞藝術(shù)上呈現(xiàn)的雅俗差異。同時文本分析也為了解它的演出情況做好鋪墊。最后一部分是《香蓮帕》的演出研究,通過對升平署檔案有關(guān)《香蓮帕》演出記錄的摘錄整理,對宮中演出本劇的時間、演員承應地點作出統(tǒng)計,得出《香蓮帕》在道光、光緒朝均有演出,演出時間上規(guī)律為朔望承應,演員主要以內(nèi)學為主。以宮中演出的實際情況主要線索,探討道光、光緒朝演出腳本的腳色設置、宮調(diào)曲牌特點,結(jié)合腳色設置、舞臺場面調(diào)度等的分析深入了解其演出特點。以清代宮中演出情況為側(cè)重點,再整理自清代以來本劇在各個地方的一些演出情況。以期通過以上所述幾個方面對《香蓮帕》這部連臺本戲作出全面系統(tǒng)的分析。
[Abstract]:Xianglian Pa, also known as the Legend of loyalty and righteousness, is one of the imperial operas in the Qing Dynasty. Apart from the political purpose of taking history as a mirror when the imperial court drama was written, it also emphasized the tortuous relationship of the protagonists and heroines whose theme was "Xianglian Pa". In terms of performance, "Xianglian Pa" was performed at the court of the Qing Dynasty and among the people. It is one of the representative plays of the four Xi classes. It has repertoire in different parts of the contemporary era and in all kinds of musical arts. It is one of the Lianpian operas that were performed in the court of the Qing Dynasty. The story of "Xiang Lianpa" took place during the Ming Dynasty. Although there were historical figures, the subject matter was also "three historical facts and seven points of fiction", and the story came from drum ci. After the Qing Dynasty, the singing of drum lyrics flourished. "Xianglian Pa" first appeared in the form of "drum ci", then it was adapted into a Lianbian opera. In addition, its adaptation should also be influenced by folk criticism, rap and singing. There are three main sources for the script of "Xianglian Pa". Qing court archives of opera materials, Beijing Cha Wang Fu and Mr. Zhou Xinfang collection of songs. This article mainly takes the Qing palace opera archives as the main research material, takes the court transcript text analysis and the court drama situation as the research emphases, through the use of comparative study, comprehensive analysis and other methods. Collate the excerpts of the performers, time and place of the drama from the files of the Shengping Administration, understand the performances of various dynasties, and analyze the different performance scripts left behind by several Korean performances. At the same time, the contemporary performance of this repertoire in various places into the study. This paper begins with a brief introduction to the outline of the story of "Xiang Lianpa", combined with the textual research and research conclusions of previous works on the history of the drama, and through the comparison of the eyes and the plot of the story with the drum ci "Xianglian Pa", to investigate the source of the story of "Xiang Lianpa". By collecting the data of the qu Ben that has been preserved at present, the "Xiang Lianpa" has been classified according to three different sources, namely, the palace, the Cher Wang Fu, and the personal collection. There are four different versions of the total edition, the outline, the string head, and the composition of the Qing Palace. There are two versions of the Folk Che House and the Zhou Xinfang Collection. Then on the basis of combing the version of the text, from the perspective of the literariness of the script, this paper analyzes the main ideological content of "Xianglian Pa", the value tendency of the script, and understands that the whole Lianben Opera is loyal to the emperor. The inheritance of traditional ideas such as persuasion. Through the careful reading of the text, this paper analyzes the setting of the relevant items, the plot structure, the depiction of a group of heroes in the script, the portrayal of the main characters and the language characteristics of the chanting of the lyrics. By comparing the two kinds of songs, the author draws the conclusion that the court qu is based on the requirements of the ruler's viewing, and the emphasis of the performance in the content of the plot is different from that of the other ones, as well as the differences of elegance and vulgarity in the art of song ci. At the same time, text analysis is also for understanding its performance to do a good job. The last part is the study of the performance of "Xiang Lianpa". Through the collation of excerpts from the archives of the Shengping Administration on the performance records of the "Xianglian Pa", statistics were made on the time and the place of acceptance of the performance of this play in the palace, and the result was that the "Xiang Lianpa" was in Dao Guang. Guang Xu all have performances, performance time for the Shuo-Wang Chengying, actors mainly to learn from the main. Based on the main clues of the actual situation of the performance in Miyongzhong, this paper probes into the characteristics of Daoguang, the setting of the play script of Guang Xu, the characteristics of the palace tunes, and the analysis of the setting of the color of the play and the scheduling of the stage scene, etc. Focusing on the performance in the Qing Dynasty, this play has been performed in various places since the Qing Dynasty. The purpose of this paper is to make a comprehensive and systematic analysis of Xianglianpa this Liantai opera through the above mentioned several aspects.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J609.2

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