【摘要】：音樂詮釋學發(fā)展至今已有近兩百年的歷史,它是西方音樂研究發(fā)展到一定階段的自然需求,也是對實證主義研究的有效補充。盡管已經(jīng)出現(xiàn)不少有關(guān)音樂詮釋學方面的研究成果,但從學理角度對它的學科性審思依然不足。本文擬從起因、訴求和歷程三個維度切入,呈現(xiàn)音樂詮釋學之所以產(chǎn)生的原因、不同于實證主義事實研究的意義探求及其由自發(fā)到自覺的歷史進程。最后對音樂詮釋學進行批判性反思,吸取其之于西方音樂研究的合理成分。
[Abstract]:Music hermeneutics has a history of nearly two hundred years. It is the natural demand of western music research to a certain stage, and it is also an effective supplement to positivism research. Although there have been many achievements in the field of music hermeneutics, its disciplinary thinking is still insufficient from a theoretical point of view. This paper attempts to analyze the causes, appeals and processes of music hermeneutics, which is different from the significance of positivist fact study and its historical process from spontaneous to conscious. Finally, the critical reflection on music hermeneutics is carried out, and the reasonable elements in western music research are drawn.
【作者單位】： 南京師范大學音樂學院;
【分類號】：J609.1
，

本文編號：2180696