“亡國(guó)恨”與“后庭花”——戰(zhàn)時(shí)語(yǔ)境下“何日君再來(lái)”的浮沉
發(fā)布時(shí)間:2018-08-08 13:38
【摘要】:誕生于戰(zhàn)時(shí)上海的歌曲"何日君再來(lái)"作為影片《三星伴月》的插曲由周璇演唱后盛行滬上,并成為因日軍政治高壓而言論空間受限、空氣沉悶的"孤島"中人們苦悶情緒的調(diào)節(jié)劑。同時(shí),該曲也被改換歌詞借以宣傳抗戰(zhàn)或被賦以租界中無(wú)法直接表達(dá)之抗日思想,最終遭遇國(guó)民政府的禁令。但屢禁不止則顯示政治試圖控制文藝的徒勞。
[Abstract]:The song "Ho Jun again", born in the wartime Shanghai, as the film "the moon of Samsung", as an interlude with Zhou Xuan, was popular in Shanghai after singing, and became a modifier in the depressed mood of the "island" because of the political pressure of the Japanese army and the depressing "Island" of the air. The direct expression of anti-Japanese ideology was eventually banned by the Kuomintang government, but repeated prohibitions showed the futility of political attempts to control literature and art.
【作者單位】: 東北師范大學(xué)外國(guó)語(yǔ)學(xué)院;復(fù)旦大學(xué)外文學(xué)院;
【分類號(hào)】:J605
本文編號(hào):2171951
[Abstract]:The song "Ho Jun again", born in the wartime Shanghai, as the film "the moon of Samsung", as an interlude with Zhou Xuan, was popular in Shanghai after singing, and became a modifier in the depressed mood of the "island" because of the political pressure of the Japanese army and the depressing "Island" of the air. The direct expression of anti-Japanese ideology was eventually banned by the Kuomintang government, but repeated prohibitions showed the futility of political attempts to control literature and art.
【作者單位】: 東北師范大學(xué)外國(guó)語(yǔ)學(xué)院;復(fù)旦大學(xué)外文學(xué)院;
【分類號(hào)】:J605
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,本文編號(hào):2171951
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