【摘要】：室內(nèi)樂是西方古典音樂創(chuàng)作和表演的一種藝術(shù)形式,通過對(duì)不同時(shí)期代表性作曲家室內(nèi)樂作品的分析與研究,有助于演奏者了解不同時(shí)期作曲家的音樂創(chuàng)作風(fēng)格,探尋其音樂作品的演奏技術(shù)特征的同時(shí)掌握室內(nèi)樂這種音樂形式的音樂表演規(guī)律。舒曼作為歐洲19世紀(jì)浪漫派音樂領(lǐng)域的領(lǐng)軍人物,一生創(chuàng)作了眾多耳熟能詳?shù)囊魳纷髌?其中尤以鋼琴作品和聲樂套曲最為著名。而他的《d小調(diào)小提琴奏鳴曲》(Op.121)也是眾多室內(nèi)樂文獻(xiàn)中的典范之作。筆者在本文中選取這部經(jīng)典的室內(nèi)樂作品為研究對(duì)象,擬通過自身的鋼琴演奏藝術(shù)實(shí)踐和與小提琴聲部的藝術(shù)合作,力求在演奏二重奏形式的室內(nèi)樂作品中獲得更多的藝術(shù)體驗(yàn)和實(shí)踐經(jīng)驗(yàn),在此基礎(chǔ)上對(duì)鋼琴與小提琴在二重奏合作藝術(shù)進(jìn)行理論的闡釋與研究。本文共分為三章,第一章為舒曼及其《d小調(diào)小提琴奏鳴曲》,主要介紹舒曼生平和他的室內(nèi)樂作品創(chuàng)作概況,并對(duì)《d小調(diào)小提琴奏鳴曲》加以概述;第二章為舒曼《d小調(diào)小提琴奏鳴曲》二重協(xié)作性分析,這一部分?jǐn)M通過,對(duì)舒曼的創(chuàng)作特征加以詮釋,深化解讀這一作品中小提琴與鋼琴聲部的合作要點(diǎn);第三章是針對(duì)鋼琴聲部的演奏處理進(jìn)行分析,結(jié)合筆者自身的實(shí)踐體驗(yàn),立足曲目本體的音樂表情術(shù)語(yǔ),對(duì)鋼琴聲部的演奏及小提琴與鋼琴聲部音樂的關(guān)聯(lián)性進(jìn)行分析論證。
[Abstract]:Chamber music is an artistic form of western classical music creation and performance. Through the analysis and study of the chamber music works of representative composers of different periods, it is helpful for players to understand the composers' musical creation styles in different periods. To explore the technical characteristics of his musical works and master the musical performance law of chamber music. Schumann, as a leading figure in the romantic music field in Europe in the 19th century, created many familiar musical works, especially piano works and vocal ensemble. His Violin Sonata in D minor (Op.121) is also a model in many chamber music literature. In this paper, the author chooses this classical chamber music work as the research object, through its own piano playing art practice and the art cooperation with the violin voice, This paper tries to gain more artistic experience and practical experience in chamber music in the form of playing duet, on the basis of which the theoretical interpretation and research on the art of piano and violin cooperation in duet are carried out. This paper is divided into three chapters. The first chapter is Schumann and his Violin Sonata in D minor. It mainly introduces Schumann's life and his chamber music works, and summarizes the Violin Sonata in D minor. The second chapter is Schumann's violin sonata in d minor. This part is intended to explain Schumann's creative characteristics, and to deepen the interpretation of the cooperation between violin and piano in this work. The third chapter is the analysis of the piano performance processing, combined with the author's own practical experience, based on the music expression terms of the repertoire Noumenon, to analyze the piano performance and the relationship between the violin and piano voice music.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1;J622.1

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本文編號(hào)：2169356