探索高男高音歌唱藝術(shù)在新創(chuàng)中國作品中的演唱特色
發(fā)布時間：2018-08-05 09:48
【摘要】：20世紀(jì)初葉美聲歌唱藝術(shù)在中國興起,它的歌唱聲部劃分為男高音、男中音、男低音、女高音、女中音、女低音這六個聲部。而起源于歐洲傳遍世界的傳統(tǒng)美聲歌唱藝術(shù)在聲部的劃分上應(yīng)該為七個聲部,即包含高男高音聲部。高男高音(Countertenor)作為美聲歌唱中不可缺少的演唱聲部,歷經(jīng)了四個階段:中世紀(jì)的圣詠、假聲男高音(Falsetto tenor)時代、閹人歌手(Castrato)時代、高男高音復(fù)蘇,高男高音聲部如同其它歌唱聲部一樣遵循著美聲歌唱的規(guī)律。本文著重以中國高男高音新創(chuàng)的中國作品為分析研究對象,對比分析國內(nèi)外演唱作品、國內(nèi)外優(yōu)秀歌唱家,收集相關(guān)專業(yè)文獻(xiàn)、學(xué)術(shù)論文、期刊、國內(nèi)外音像等材料進行研究,充分展現(xiàn)高男高音歌唱藝術(shù)的演唱特色及其藝術(shù)魅力。本文除了緒論一共分作四大章,緒論部分簡要說明了本論文所涉及研究領(lǐng)域的國內(nèi)外研究現(xiàn)狀。本論文所要解決的問題、研究方法、闡述研究工作在學(xué)術(shù)上及實際運用中的理論和實際意義。第一章主要敘述高男高音的歷史沿革及其發(fā)展現(xiàn)狀,結(jié)合推動其復(fù)蘇及發(fā)展的古樂運動,以國內(nèi)外優(yōu)秀的高男高音歌唱家為代表,闡述現(xiàn)今高男高音的發(fā)展現(xiàn)狀及趨勢。第二章主要以三個小節(jié)闡述高男高音歌唱藝術(shù)的演唱特色。首先是高男高音聲部的演唱有著獨特的生理機能及心理因素,再以科學(xué)的氣息運用、發(fā)聲技巧、聲音共鳴位置及不一樣的混聲比例等演唱技術(shù)。最后以高男高音與閹人歌唱家、假聲男高音的聯(lián)系及異同,對比分析高男高音獨特的藝術(shù)感染力。第三章主要以新創(chuàng)中國作品的演繹來彰顯高男高音歌唱藝術(shù)的演唱特色及魅力。新創(chuàng)作品的類別,分別是中國歌劇作品、富有中國詩詞元素的聲樂套曲及現(xiàn)代抒情作品。第四章是鑒于目前國內(nèi)高男高音歌唱人才的現(xiàn)狀,提出關(guān)于中國高男高音歌唱人才培養(yǎng)的構(gòu)思,分析其必要性、可行性及培養(yǎng)觀念和模式的更新。
[Abstract]:In the early 20th century, the art of beautiful singing rose in China. Its singing voice was divided into six parts: tenor, baritone, tenor, soprano, soprano and soprano. The traditional beautiful singing art originated from all over the world in Europe should be divided into seven parts, that is, the high tenor. High tenor (Countertenor), as an indispensable part of beautiful singing, has gone through four stages: medieval chanting, false tenor (Falsetto tenor) era, eunuch (Castrato) era, and high tenor recovery. The high tenor follows the law of beautiful singing just like other singing parts. This paper focuses on the new Chinese works with high tenor as the research object, compares and analyzes the domestic and foreign singing works, excellent singers at home and abroad, collects relevant professional literature, academic papers, periodicals, audio and video materials and so on at home and abroad. Fully demonstrate the singing characteristics and artistic charm of high tenor singing art. In addition to the introduction, this paper is divided into four chapters. The introduction briefly explains the domestic and foreign research status of the research field involved in this paper. In this paper, the problems to be solved, the research methods, and the theoretical and practical significance of the research work in academic and practical application are expounded. The first chapter mainly narrates the historical evolution and the present situation of the high tenor, combined with the ancient music movement which promotes its recovery and development, taking the excellent high tenor singer at home and abroad as the representative, expounds the present situation and the trend of the development of the high tenor. The second chapter mainly elaborates the singing characteristics of high tenor singing art in three sections. First of all, the singing of high tenor has its own physiological function and psychological factors, and then it uses scientific breath, vocal skills, sound resonance position and different mixing ratio and other singing techniques. Finally, the relationship and difference between high tenor and cauchan singer, false tenor and its unique artistic appeal are compared and analyzed. The third chapter shows the singing characteristics and charm of high tenor singing art with the deduction of newly created Chinese works. The categories of new works are Chinese operas, vocal music with Chinese poetic elements and modern lyric works. In the fourth chapter, in view of the present situation of high tenor singing talents in China, the author puts forward the conception of training high tenor singing talents in China, analyzes its necessity, feasibility and the renewal of training concept and mode.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J616
本文編號：2165416
[Abstract]:In the early 20th century, the art of beautiful singing rose in China. Its singing voice was divided into six parts: tenor, baritone, tenor, soprano, soprano and soprano. The traditional beautiful singing art originated from all over the world in Europe should be divided into seven parts, that is, the high tenor. High tenor (Countertenor), as an indispensable part of beautiful singing, has gone through four stages: medieval chanting, false tenor (Falsetto tenor) era, eunuch (Castrato) era, and high tenor recovery. The high tenor follows the law of beautiful singing just like other singing parts. This paper focuses on the new Chinese works with high tenor as the research object, compares and analyzes the domestic and foreign singing works, excellent singers at home and abroad, collects relevant professional literature, academic papers, periodicals, audio and video materials and so on at home and abroad. Fully demonstrate the singing characteristics and artistic charm of high tenor singing art. In addition to the introduction, this paper is divided into four chapters. The introduction briefly explains the domestic and foreign research status of the research field involved in this paper. In this paper, the problems to be solved, the research methods, and the theoretical and practical significance of the research work in academic and practical application are expounded. The first chapter mainly narrates the historical evolution and the present situation of the high tenor, combined with the ancient music movement which promotes its recovery and development, taking the excellent high tenor singer at home and abroad as the representative, expounds the present situation and the trend of the development of the high tenor. The second chapter mainly elaborates the singing characteristics of high tenor singing art in three sections. First of all, the singing of high tenor has its own physiological function and psychological factors, and then it uses scientific breath, vocal skills, sound resonance position and different mixing ratio and other singing techniques. Finally, the relationship and difference between high tenor and cauchan singer, false tenor and its unique artistic appeal are compared and analyzed. The third chapter shows the singing characteristics and charm of high tenor singing art with the deduction of newly created Chinese works. The categories of new works are Chinese operas, vocal music with Chinese poetic elements and modern lyric works. In the fourth chapter, in view of the present situation of high tenor singing talents in China, the author puts forward the conception of training high tenor singing talents in China, analyzes its necessity, feasibility and the renewal of training concept and mode.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J616
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