【摘要】：俄籍猶太人音樂(lè)家夏理柯(Harry Ore)于20世紀(jì)上半葉在港澳生活期間,以澳門本土音樂(lè)素材創(chuàng)作的中國(guó)粵樂(lè)風(fēng)味鋼琴曲,或者明確地以澳門作為題材的作品,其創(chuàng)作思維方式和相應(yīng)技術(shù)手段令人注目。文章所探討的兩首樂(lè)曲,風(fēng)格上一中一西,相映成趣。前者采用澳門相關(guān)素材,也是廣東音樂(lè)或漢族民間音樂(lè)鋼琴曲改編的先聲;后者運(yùn)用澳門相關(guān)題材,某種意義上吻合了澳門這個(gè)中西文化交萃、華洋人群共居的社會(huì)文化形態(tài),以合適的素材和題材,表達(dá)合適的意境和形象,不僅反映出夏理柯寫作鋼琴作品的才能,更反映出他對(duì)澳門社會(huì)形態(tài)、對(duì)澳門音樂(lè)文化風(fēng)格的深入了解。
[Abstract]:Russian Jewish musician Xia Like (Harry Ore) in the first half of the twentieth Century during the life of Hong Kong and Macao during the first half of the year, the Chinese Cantonese music flavor piano music created by the native music material of Macao, or the works of Macao as a subject, its creative thinking mode and corresponding technical means are remarkable. The two pieces of music discussed in this article are in the style of one of the styles. The former uses the related materials of Macao, which is also the first sound of the adaptation of the Guangdong music or the Han folk music piano music. The latter uses the related themes of Macao, which in a sense coincides with the social and cultural form of the Chinese and Western cultures in Macao, the Chinese and foreign people live together, and expresses the appropriate artistic conception and image with the appropriate material and subject matter. It not only reflects Charlie Ke's ability to write piano works, but also reflects his deep understanding of Macao's social formation and music culture style.
【作者單位】： 澳門理工學(xué)院;
【基金】：澳門理工學(xué)院研究項(xiàng)目“澳門本土鋼琴作品探究”(RP/ESA-02/2016)
【分類號(hào)】：J624.1

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