【摘要】：《樂學(xué)軌范》的作者成O#先生及其所領(lǐng)導(dǎo)的寫作班子,結(jié)合本國(guó)雅樂的實(shí)際情況,對(duì)中國(guó)的樂律理論作了精細(xì)的分析研究并明辨其正誤,顯示出成O#先生等韓國(guó)學(xué)者深厚的學(xué)術(shù)功力和極佳的學(xué)術(shù)勇氣。文章?lián)衿渲袃衫?之調(diào)為調(diào)、十八律予以討論,一則彰顯成O#等韓國(guó)學(xué)者之學(xué)術(shù),二則借機(jī)將這兩個(gè)問題討論清楚。
[Abstract]:Mr. Cheng O# and his writing team, who are under the leadership of Mr. Cheng O#, have made a detailed analysis and study of Chinese music law theory and distinguish its right and wrong from the actual situation of elegant music in our country, and the author of "Yue Xue Fan" has made a detailed analysis and study on the theory of music law in China. Demonstrate the deep academic skills and excellent academic courage of Korean scholars such as Mr. O#. In this paper, two examples are selected: the tune is the tune, the Eighteen laws are discussed, one is the academic study of Korean scholars such as O#, and the other is the opportunity to discuss these two issues clearly.
【作者單位】： 中國(guó)音樂學(xué)院;
【分類號(hào)】：J609.2

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