發(fā)布時間：2018-07-20 19:05

【摘要】：通過觀察越南表演藝術中對少數民族音樂的"引用",可以看到不同族群在音樂交流過程中所引發(fā)的關于文化淵源、所有權等不同層次的討論。在越南少數民族"舞臺化"的過程中,少數民族特定的文化特征被各種經濟手段、政治賄賂和機構特權所霸占,而為了達到政治上的和平穩(wěn)定,文化的本質被忽略了。如此,在少數民族"遺產化"的過程中,如果對文化沒有歷史的、文學的和生命的關照,那么很難真正地理解少數民族文化的發(fā)展過程,以及音樂在其中的角色和意義。此外,少數民族的市場也必須要發(fā)展,以縮小和主體社會文化的鴻溝。
[Abstract]:By observing the "citation" of minority music in the performing arts of Vietnam, we can see the discussion on cultural origin and ownership caused by different ethnic groups in the process of music exchange. In the process of "stage" of ethnic minorities in Vietnam, the specific cultural characteristics of ethnic minorities are dominated by various economic means, political bribery and institutional privileges, but in order to achieve political peace and stability, the essence of culture is ignored. Thus, it is difficult to understand the development process of minority culture and the role and significance of music in the process of minority "heritage" if there is no historical, literary and life concern for culture. In addition, the minority market must also develop to narrow the gap with the main social culture.
【作者單位】： 馬來西亞佩特拉大學;國際傳統(tǒng)音樂學會(ICTM)民間樂器研究小組;上海音樂學院;
【分類號】：J607
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本文編號：2134474