本文選題：古琴 + 斫琴��； 參考：《當(dāng)代音樂(lè)》2016年22期

【摘要】：在傳統(tǒng)的古琴斫制技藝中,已經(jīng)形成了較為規(guī)范的琴體制度。琴體制度直接關(guān)系到古琴琴體的藝術(shù)性,同時(shí)也影響著琴體的發(fā)聲特征,在選擇琴體制度時(shí)就要從這兩個(gè)方面加以考慮:首先,琴體制度要符合傳統(tǒng)的藝術(shù)審美,要盡量選擇歷代較為常用的琴式,尺寸和形制也要盡量與琴式的特征相一致;其次,琴體的發(fā)聲特征要符合傳統(tǒng)琴聲審美的要求,要根據(jù)傳統(tǒng)琴聲審美的要求和特定的琴聲需求選擇合適的琴體制度。
[Abstract]:In the traditional Guqin system, has formed a more standardized system of piano style. The system of Qin style is directly related to the artistic character of the ancient piano body, and also affects the vocal characteristics of the organ body. When choosing the system of the piano style, we should consider these two aspects: first, the system of the piano style should conform to the traditional artistic aesthetics. In order to choose the more commonly used piano style in past dynasties, the size and shape should also be consistent with the characteristics of the piano style. Secondly, the sound characteristics of the piano body should conform to the requirements of the traditional music appreciation. According to the traditional music aesthetic requirements and specific music needs to choose the appropriate piano system.
【作者單位】： 河南博物院;
【分類號(hào)】：J632.31
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本文編號(hào)：2106790