本文選題：《丹青仙子》 + 劉文金　； 參考：《上海音樂學(xué)院》2017年碩士論文

【摘要】：古箏是中國具有代表性的民族樂器,有著兩千多年漫長的歷史。從最早的伴奏樂器到獨(dú)奏樂器,到現(xiàn)在已經(jīng)發(fā)展成為包含了重奏、協(xié)奏、民族管弦樂、西洋管弦樂等多種演奏形式的樂器,體現(xiàn)了傳統(tǒng)意蘊(yùn)和現(xiàn)代審美取向的融合,使古箏這件古老的樂器在新時(shí)代中綻放光芒。隨著時(shí)代變化,古箏音樂也在不斷的創(chuàng)新和發(fā)展,傳統(tǒng)箏曲與現(xiàn)代箏樂并行不悖、相互融合,使古箏藝術(shù)得到了前所未有的發(fā)揮空間。《丹青仙子》是作曲家劉文金于2007年創(chuàng)作的古箏協(xié)奏曲,這是一部將傳統(tǒng)與現(xiàn)代融冶于一爐的優(yōu)秀古箏作品。作品在巧妙提煉傳統(tǒng)音樂素材的基礎(chǔ)上,以新的音樂語匯詮釋了對中國傳統(tǒng)文化及其審美的理解。本文以作品的音樂本體分析為切入點(diǎn),結(jié)合自身演奏實(shí)踐與感悟,力求深入發(fā)掘作品的音樂語言特征、風(fēng)格、創(chuàng)作手法及審美意趣,以期對該作品建立全面深入的認(rèn)知理解。筆者希望通過此論文的寫作,為今后類似選題的研究提供參考文本。本論文分為四個(gè)章節(jié),第一章介紹作曲家生平以及作曲家創(chuàng)作概覽,并闡述《丹青仙子》的創(chuàng)作背景及原由。第二章對《丹青仙子》的音樂語言與結(jié)構(gòu)進(jìn)行分析。第三章對《丹青仙子》的演奏技法特征進(jìn)行研究。第四章從作品的創(chuàng)作觀念及藝術(shù)風(fēng)格談及個(gè)人對作品的藝術(shù)感悟。
[Abstract]:Guzheng is a representative national musical instrument in China, with a long history of more than two thousand years. From the earliest accompaniment instruments to solo instruments, they have now developed into instruments with various forms of performance, including recital, symphony, national orchestra, western orchestral music, etc., which embody the fusion of traditional meaning and modern aesthetic orientation. Make the ancient musical instrument Guzheng shine in the new era. With the change of times, guzheng music is constantly innovating and developing. Traditional Zheng music and modern Zheng music go hand in hand with each other. "Danqing Xianzi" is a zither concerto composed by composer Liu Wenjin in 2007. It is an excellent zither work that combines tradition and modern in a furnace. On the basis of refining the traditional music materials, the works annotate the understanding of Chinese traditional culture and aesthetics with the new musical vocabulary. Based on the music Noumenon analysis of the work, this paper tries to explore the musical language characteristics, style, creative techniques and aesthetic interest of the work in order to establish a comprehensive and in-depth cognitive understanding of the work. The author hopes to provide reference text for the research of similar topics in the future through the writing of this thesis. This thesis is divided into four chapters. The first chapter introduces the life of the composer and an overview of the composer's creation, and expounds the background and reasons of the creation of Danqing Fairy. The second chapter analyzes the music language and structure of Danqing Fairy. In the third chapter, the characteristics of playing techniques of Danqing Fairy are studied. The fourth chapter talks about the artistic perception of the works from the creative concept and artistic style of the works.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.32

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