本文選題：習(xí)俗 + 方言��； 參考：《四川戲劇》2017年04期

【摘要】：白馬藏地沒(méi)有音樂(lè)文字,仍停留于原始多神崇拜的巫樂(lè)社會(huì)。白馬藏歌者也沒(méi)有等級(jí)劃分,寨子里的男女老幼,都可以自由參加歌唱。他們的民歌雖然沒(méi)有文字,但并不意味著沒(méi)有字詞聲腔,即方言字發(fā)聲音腔。白馬山寨獨(dú)特的方言和一唱眾和、踏舞而歌、祈福眾神的民歌,讓我們驚羨巴蜀白馬地區(qū)居然完好保留了這樣一種古巴蜀音樂(lè)活化石。
[Abstract]:There is no musical writing in White Horse Tibetan, and it still remains in the original polytheistic Witch Society. White horse singers also do not rank, the stockade of men and women, young and old, free to participate in singing. Their folk songs don't have words, but they don't mean they don't have words, that is, dialects. Baima Shanzhai's unique dialect and folk songs of singing, dancing and praying for gods make us admire that the Bashu Baima region has preserved such a living fossil of ancient Bashu music.
【作者單位】： 四川省藝術(shù)研究院;
【分類(lèi)號(hào)】：J607
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本文編號(hào)：2067331