本文選題：絲綢之路 + 琵琶藝術(shù)　； 參考：《中央民族大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2017年06期

【摘要】：琵琶是中國(guó)民族器樂中具有代表性的樂器之一,它并非由中國(guó)本土文化產(chǎn)生,而是與琉特琴同源,興起于美索不達(dá)比亞平原,經(jīng)絲綢之路傳入中原之后與中國(guó)古代樂器相融合,最終成為中華音樂文明中的璀璨明珠。本文以絲綢之路文化為視野,剖析和詮釋從西而來的琵琶藝術(shù)在兩千多年里與中華本土文化的交流、交融和發(fā)展。探尋新絲路時(shí)期琵琶藝術(shù)創(chuàng)作題材的深度和廣度,以期拓寬其藝術(shù)發(fā)展的內(nèi)涵與外延。
[Abstract]:Pipa is one of the representative musical instruments in Chinese national instrumental music. It is not produced by Chinese native culture, but originated from the Plain of Mesopotabia and merged with ancient Chinese musical instruments after it was introduced into the Central Plains through the Silk Road. Finally become the bright pearl of Chinese music civilization. From the perspective of Silk Road culture, this paper analyzes and interprets the communication, blending and development of pipa art from the west with Chinese native culture in more than 2000 years. This paper explores the depth and breadth of the artistic creation of pipa in the New Silk Road period in order to broaden the connotation and extension of its artistic development.
【作者單位】： 中央民族大學(xué)音樂學(xué)院;
【分類號(hào)】：J632.33

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本文編號(hào)：2054379