本文選題：音樂符號(hào) + 全媒體時(shí)代�。� 參考：《四川戲劇》2017年08期

【摘要】：音樂符號(hào)既是具象的文本形態(tài),也是抽象的思想代碼。作為人們認(rèn)識(shí)音樂的中介物,音樂符號(hào)通過傳播鏈條進(jìn)行通訊運(yùn)動(dòng)。全媒體時(shí)代對(duì)于新老媒體的整合,使人能夠在自由的空間中即時(shí)掌握音樂信息與資源。一方面,全媒體的速度優(yōu)勢(shì)促使音樂符號(hào)作為"能指"的創(chuàng)作產(chǎn)物急速發(fā)散;另一方面,音樂符號(hào)本身所蘊(yùn)含的"所指"是人際傳播中所賦予的思想情感與文化含義,這些并不與全媒體的傳播模式產(chǎn)生直接關(guān)聯(lián)。破解音樂符號(hào)多重的內(nèi)部結(jié)構(gòu)與核心原理,必須從其基本屬性、結(jié)構(gòu)特征、美感表達(dá)、文化承載等方面進(jìn)行研究,并以當(dāng)代的全媒體環(huán)境為背景,思考其傳播狀態(tài)與現(xiàn)實(shí)意義。
[Abstract]:Music symbol is not only the figurative text form, but also the abstract thought code. As an intermediary of people's understanding of music, music symbols communicate through the communication chain. The integration of old and new media in the age of all media enables people to grasp music information and resources in free space. On the one hand, the speed advantage of the whole media promotes the rapid development of musical symbols as a product of "signifier"; on the other hand, the musical symbols themselves contain "what they mean" which is the ideological, emotional and cultural meaning given to them in interpersonal communication. These are not directly related to the mode of communication of the whole media. In order to solve the multiple internal structure and core principle of musical symbols, we must study their basic properties, structural characteristics, aesthetic expression and cultural bearing, and consider their communication status and practical significance under the background of the contemporary all-media environment.
【作者單位】： 黃河科技學(xué)院音樂學(xué)院;中國(guó)藝術(shù)研究院;
【分類號(hào)】：J605

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本文編號(hào)：2024923