頻譜音樂的歷史淵源、創(chuàng)作實(shí)質(zhì)與美學(xué)態(tài)度
發(fā)布時(shí)間:2018-06-09 17:07
本文選題:頻譜音樂 + 非諧頻; 參考:《黃鐘(武漢音樂學(xué)院學(xué)報(bào))》2017年03期
【摘要】:2015年,武漢音樂學(xué)院特聘作曲教授徐儀為作曲系師生開設(shè)了《頻譜音樂》系列學(xué)術(shù)講座。本文保留講座的特色內(nèi)容并予以提煉,如引用頻譜樂派作曲家表達(dá)重要理念的自傳和日記等第一手資料,推介頻譜音樂的核心概念"進(jìn)程"(Process)并探討其意義,聚焦頻譜樂派"如何繼承、如何思考、如何表達(dá)"等音樂創(chuàng)作的本質(zhì)問題,力圖對(duì)頻譜音樂的歷史淵源、創(chuàng)作實(shí)質(zhì)與美學(xué)態(tài)度做出簡明扼要的闡述。
[Abstract]:In 2015, Xu Yi, a special music professor at Wuhan Conservatory of Music, opened a series of academic lectures on Spectrum Music for students and teachers of the Department of composition. This paper retains and refines the characteristic contents of the lecture, such as referring to the autobiographies and diaries of spectrum composers expressing important ideas, introducing the core concept of spectrum music, "process", and discussing its significance. Focusing on the essence of spectrum music, such as how to inherit, how to think and how to express it, this paper tries to expound the historical origin, creative essence and aesthetic attitude of spectrum music.
【作者單位】: 武漢音樂學(xué)院作曲系;
【分類號(hào)】:J614
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