本文選題：調(diào)式和聲 + 嵌入��； 參考：《山西師范大學(xué)》2017年碩士論文

【摘要】：芝達林先生創(chuàng)編的山西民歌女聲合唱曲集《桃花紅杏花白》是一部將中國五聲性調(diào)式和聲技術(shù)理論運用于山西民歌多聲部配置藝術(shù)實踐的經(jīng)典之作。本文對此合唱曲集里有關(guān)中國五聲性調(diào)式和聲技法的應(yīng)用以及傳統(tǒng)西洋和聲與五聲調(diào)式旋律結(jié)合等方面做較為詳盡的分析與研究。全文由緒論、七個章節(jié)以及結(jié)語組成。緒論包括研究背景與現(xiàn)狀、相關(guān)內(nèi)容的學(xué)位論文研討、研究目的及其意義、研究內(nèi)容、研究方法。七個章節(jié)主要是從以下幾個方面完成對本選題的研究:一、“嵌入音”的手法,主要分為嵌入音形態(tài)、嵌入音方式。其中,嵌入音形態(tài)分為內(nèi)嵌音、外嵌音兩種形態(tài),嵌入方式分為音程嵌入、和弦嵌入兩種方式;二、三度結(jié)構(gòu)的和聲方法,主要分為:省略音和聲與替代音和弦兩種和聲方法;三、四度結(jié)構(gòu)的和聲方法,主要分為:雙四度結(jié)構(gòu)與三個四度結(jié)構(gòu)。其中,雙四度結(jié)構(gòu)又分為重復(fù)、疊置、相接、交置四種和聲結(jié)構(gòu);四、五聲調(diào)式音列縱合化和弦,包括:五聲調(diào)式音列縱和化的和聲方法、含“二變”音的五聲縱合化和弦、調(diào)式音列縱合化和弦的形態(tài)三種縱和和弦。其中,五聲調(diào)式音列縱和化的和聲方法分為:三音和弦、四音和弦、五音和弦。調(diào)式音列縱合化和弦的形態(tài)有兩種形態(tài):以主音為根音的和弦形態(tài)、以屬音為根音的和弦形態(tài);五、傳統(tǒng)功能和聲的應(yīng)用包括:正格進行的應(yīng)用、小屬和弦的應(yīng)用、變格色彩的強調(diào)、功能弱化的處理這四種技術(shù)手法;六、傳統(tǒng)和聲功能與五聲性和聲功能的交替與對比;七、近現(xiàn)代和聲語言包括:線性思維與色彩對置手法的分析。通過以上的調(diào)式和聲結(jié)構(gòu)與手法研究,可以更好的理解芝達林先生對于山西民歌多聲部配置的創(chuàng)作思維,亦可深入地了解五聲調(diào)式和聲的形態(tài)結(jié)構(gòu),借此解讀作曲家的音樂語言風(fēng)格,以達到對于這部作品的音樂本體分析的目的。本課題的研究,將對于作曲專業(yè)的教學(xué)與藝術(shù)實踐具有重要的指導(dǎo)意義。
[Abstract]:The anthology of Shanxi Folk Song Women's Chorus, Peach Blossom, Red Apricot Blossom and White, created by Mr. Zhi Darling, is a classic work in which the theory of Chinese pentatonic harmony technique is applied to the practice of multi-part arrangement of Shanxi folk songs. This paper makes a detailed analysis and research on the application of Chinese pentatonic harmony techniques and the combination of traditional western harmonies and pentatonic melodies in the chorus collection. The full text consists of introduction, seven chapters and conclusion. The introduction includes the research background and present situation, the research purpose and its significance, the research content, the research method. Seven chapters are mainly from the following aspects to complete the research of this topic: first, the "embedded tone" technique, mainly divided into the embedded tone form, embedded tone mode. Among them, the embedded tone is divided into two forms: the embedded tone is embedded, the external tone is embedded, the embedding is divided into two ways: interval embedding and chord embedding, the second, third degree harmony method is mainly divided into two kinds of harmony methods: ellipsis harmony method and substitute tone harmony method; The harmonic method of three-and four-degree structure is divided into two four-degree structure and three four-degree structure. Among them, the double four-degree structure is further divided into four types of harmonic structures: repeated, superimposed, joined, and intersected; the four-and-five-tone series is vertically combined with the chords, including: the harmony method of the pentatonic series of vertical harmony, and the five-tone longitudinal syncretizing chord of the "two-variable" sound. The shape of three longitudinal and chords. Among them, the pentatonic tone series of vertical harmony method can be divided into three chords, four chords, five-tone chords. There are two forms of the consonant chord of the tone sequence: the chord form with the principal tone as the root sound, the chord form with the genus sound as the root sound, and the application of the traditional function harmony with the application of the positive lattice and the application of the small chord. The emphasis of changing color and the treatment of weakening function are four techniques; sixth, the alternation and contrast between traditional harmony function and pentatonic harmony function; seventh, modern harmony language includes: analysis of linear thinking and color contrast. Through the above research on the mode harmony structure and techniques, we can better understand Mr. Zhi Darling's creative thinking on the multi-part configuration of Shanxi folk songs, and can also deeply understand the morphological structure of the five-tone harmony. In order to achieve the purpose of the music Noumenon analysis of this work, the writer interprets the composer's musical language style. The research of this subject will be of great significance to the teaching and art practice of composition specialty.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J614.1

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