本文選題：爵士樂 + 20世紀二三十年代�。� 參考：《東北師范大學(xué)》2016年碩士論文

【摘要】：爵士樂源起于美國,并逐漸在世界范圍內(nèi)廣泛流傳。爵士樂的起源與發(fā)展烙印著兩次世界戰(zhàn)爭間動蕩的社會因素。這段時間內(nèi)爵士樂逐步被記錄、保存、理解、接納。關(guān)于爵士樂各種分析與理解適應(yīng)了近現(xiàn)代美國國內(nèi)文化融合的過程。爵士樂的誕生與繁榮某種程度上柔化了復(fù)雜的社會和種族問題,黑人藝術(shù)逐漸融入美國文化中。美國20世紀二三十年代爵士樂的繁榮意義深遠。以爵士樂為代表的美國文化開始逐漸影響世界。研究美國爵士樂的誕生與發(fā)展或許能成為我們嘗試理解美國現(xiàn)代化過程的一種角度。這一過程的存在我們可以理解為一種改變。本文擬從三個部分展開論述:第一部分回顧了爵士樂從誕生到20世紀二三十年代的歷史背景。爵士樂的誕生與發(fā)展處于美國近現(xiàn)代社會歷史環(huán)境之中,從中映襯出了美國近現(xiàn)代社會的變化以及爵士樂從誕生到繁榮的影響因素。第二部分探討了美國20世紀二三十年代爵士樂的基本特點。從這時期爵士樂的表演形式入手,思考爵士樂與相關(guān)或相同時期音樂的相互影響,嘗試總結(jié)了影響爵士樂音樂特質(zhì)的因素。第三部分思考了20世紀二三十年代的爵士樂。嘗試分析了二三十年代爵士樂的社會角色,以及音樂人對美國文化和爵士樂的堅守與傳承。
[Abstract]:Jazz originated in the United States and gradually spread around the world. The origin and development of jazz are marked by the turbulent social factors between the two world wars. During this period jazz was gradually recorded, preserved, understood and accepted. Various analyses and understandings of jazz have adapted to the process of cultural integration in modern America. The birth and prosperity of jazz to some extent softened the complex social and racial problems, and black art gradually integrated into American culture. The prosperity of jazz in the 20 s and 30 s in the United States is of great significance. American culture, represented by jazz, began to influence the world. The study of the birth and development of American jazz may be an angle in trying to understand the process of American modernization. The existence of this process can be understood as a change. The first part reviews the historical background of jazz from its birth to the twenties and thirties of the 20th century. The birth and development of jazz is in the historical environment of American modern society, which reflects the changes of American modern society and the influence factors of jazz from birth to prosperity. The second part discusses the basic characteristics of American jazz in the 20 s and 30 s. Starting with the performing forms of jazz in this period, this paper thinks about the interaction between jazz and music in the same period, and tries to summarize the factors that affect the characteristics of jazz music. The third part thinks about jazz in the 20 s and 30 s. This paper attempts to analyze the social role of jazz in the twenties and thirties, and the musicians' adherence to and inheritance of American culture and jazz.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J609.712

【相似文獻】

相關(guān)期刊論文 前10條

1 泮洪;非洲音樂的傳統(tǒng)及其新發(fā)展[J];人民音樂;1983年06期

2 拓植原一 ,黃炳琦;音樂的傳播和變異——學(xué)習(xí)和記錄亞洲傳統(tǒng)音樂中一個值得注意的問題[J];中國音樂;1984年01期

3 王次p，

本文編號：1971396