本文選題：媒介自身 + 動(dòng)作語(yǔ)言　； 參考：《舞蹈》2017年09期

【摘要】：正舞蹈是以身體動(dòng)作為本體媒介的動(dòng)態(tài)物理世界,對(duì)于舞蹈身體語(yǔ)言來(lái)講,動(dòng)作是核心。古典舞除動(dòng)作語(yǔ)言外,敘事、音樂、服飾等均須進(jìn)行相應(yīng)的完善。它們各自的成熟是一種形式主義,而它們相互形成的關(guān)系則是一種結(jié)構(gòu)主義,一個(gè)整體結(jié)構(gòu)中的多個(gè)個(gè)體形式都指向古典舞身體語(yǔ)篇。所以,舞蹈身體語(yǔ)言不僅要研究每種媒介自身的語(yǔ)言性,還要研究各種媒介之間是如何圍繞動(dòng)作核心互動(dòng)而使語(yǔ)篇獲得更多的意義。指向動(dòng)作核心
[Abstract]:Positive dance is a dynamic physical world in which body action is the main medium, and movement is the core of dance body language. In addition to the action language, narrative, music, clothing and so on must be improved. Their maturation is a formalism, while their relationship with each other is a structuralism. Many individual forms in a whole structure all point to the body discourse of classical dance. Therefore, the body language of dance should not only study the linguistic nature of each medium, but also study how the interaction between different media around the core of action makes the text more meaningful. Pointing action core
【分類號(hào)】：J618;J705
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本文編號(hào)：1937450