本文選題：《青城記》 + 古箏重奏��； 參考：《南京藝術(shù)學(xué)院》2016年碩士論文

【摘要】：《青城記》是一首創(chuàng)作于2013年的現(xiàn)代古箏重奏曲,作品受到20世紀(jì)西方現(xiàn)代簡(jiǎn)約派音樂(lè)風(fēng)格的影響,揉合了中西方音樂(lè)音響特點(diǎn),具有獨(dú)特的審美意蘊(yùn)。本文從作品音樂(lè)形態(tài)(調(diào)性定弦、曲式結(jié)構(gòu)、復(fù)調(diào)創(chuàng)作)、音樂(lè)意象以及演奏表現(xiàn)等方面進(jìn)行了分析。筆者認(rèn)為,《青城記》的創(chuàng)作偏向西方化,但作品號(hào)召了演奏者用理性態(tài)度進(jìn)行演奏,它的出現(xiàn)對(duì)今后古箏重奏樂(lè)曲創(chuàng)作和演奏帶來(lái)很多啟示。
[Abstract]:Qingcheng Ji is a modern guzheng recital composed in 2013. It is influenced by the modern minimalist music style of the 20th century and combines the sound characteristics of Chinese and western music with unique aesthetic implication. This paper analyzes the musical form (tonality, musical structure, polyphonic composition, musical image and performance). The author thinks that the creation of Qingcheng Chronicles tends to be westernized, but the works call on the players to play with a rational attitude, and its appearance brings a lot of inspiration to the composition and performance of the Guzheng recital in the future.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J632.32
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本文編號(hào)：1927013