門德?tīng)査伞稛o(wú)詞歌》的分析及演奏研究
本文選題:創(chuàng)作風(fēng)格 + 如歌的演奏 ; 參考:《齊齊哈爾大學(xué)》2016年碩士論文
【摘要】:德國(guó)作曲家門德?tīng)査墒抢寺髁x時(shí)期音樂(lè)的杰出代表人物之一,他的作品具有典型的浪漫主義氣息,并與古典時(shí)期的音樂(lè)有著密切的聯(lián)系,他是早期的浪漫主義時(shí)期的靈魂人物,對(duì)德國(guó)音樂(lè)的發(fā)展起著重要的作用,1843年,門德?tīng)査稍诘聡?guó)成功創(chuàng)辦了萊比錫音樂(lè)學(xué)院,他對(duì)音樂(lè)教育的發(fā)展也做出了十分突出的貢獻(xiàn),并且他一生創(chuàng)作了大量的優(yōu)秀作品,其體裁主要包括交響曲、序曲、清唱?jiǎng)、鋼琴曲等。他的交響曲以《仲夏夜之?mèng)》序曲、《第四交響曲》(《意大利》)、《第三交響曲》(《蘇格蘭》)最為著名。鋼琴小品《無(wú)詞歌》是門德?tīng)査墒讋?chuàng)體裁,最具標(biāo)志性作品之一。通過(guò)對(duì)《無(wú)詞歌》的作品賞析,可以清晰的了解到門德?tīng)査勺髌肪哂袦剀笆闱、?yōu)雅恬靜、明晰無(wú)暇、富于詩(shī)意幻想,戲劇性沖突不強(qiáng)的風(fēng)格特點(diǎn)。本文通過(guò)研究《無(wú)詞歌》的作品特點(diǎn)和音樂(lè)內(nèi)涵來(lái)準(zhǔn)確把握作品風(fēng)格,\《無(wú)詞歌》集中48首鋼琴小品按體裁特征分為四類:性格化小品、合唱聲樂(lè)體裁小品、獨(dú)唱體裁小品和重唱體裁小品。分別選取《獵歌》、《葬禮進(jìn)行曲》、《春之歌》和《威尼斯船歌》三首作為各形式中的代表性作品,從創(chuàng)作背景、曲式分析、演奏分析三方面,對(duì)四類形式的代表作品進(jìn)行闡述,圍繞器樂(lè)聲樂(lè)化特點(diǎn)對(duì)每首作品演奏技巧運(yùn)用展開(kāi)分析,主要包括:如歌演奏法、內(nèi)聲部分手、樂(lè)句對(duì)答、背景音型、速度的處理,將這些演奏技巧的理論方法合理運(yùn)用在《無(wú)詞歌》集的藝術(shù)實(shí)踐中,通過(guò)器樂(lè)聲樂(lè)化特點(diǎn),運(yùn)用鋼琴演奏的技巧分析更好表達(dá)作品內(nèi)容和理解作品風(fēng)格。
[Abstract]:Mendelssohn, a German composer, is one of the outstanding representatives of Romantic music. His works have a typical Romantic flavor and are closely related to classical music. He was the soul of the early Romantic period and played an important role in the development of German music. In 1843, Mendelssohn successfully founded the Leipzig Conservatory of Music in Germany, and he also made a very outstanding contribution to the development of music education. And he created a large number of excellent works, including symphonies, prelude, oratorio, piano and so on. His symphony is best known as the Midsummer Night Dream prelude, and the fourth Symphony (Italy), the third Symphony (Scotland). Piano essay No ci Song is one of Mendelssohn's first style and one of the most iconic works. By appreciating the works of Song without ci, we can clearly understand that Mendelssohn's works have the characteristics of warm lyricism, elegance and tranquility, clarity, poetic fantasy and not strong dramatic conflict. In this paper, by studying the characteristics and musical connotations of "Song without ci", we can accurately grasp the style of the works. There are 48 piano pieces which are divided into four categories according to their genres: the style of character, the style of chorus, the style of choir and the style of vocal music. Solo genre and duet genre. Three representative works, "hunting songs", "Funeral March", "Song of Spring" and "Venice Boat Song", were selected as representative works of various forms, respectively. Four types of representative works were expounded from three aspects: background, composition analysis and performance analysis. Based on the characteristics of instrumental vocal music, the paper analyzes the application of each piece of performance skills, including: song playing method, internal voice break up, sentence answer, background sound type, speed processing, etc. The theory and method of these performance techniques are reasonably applied in the artistic practice of "Song without ci". Through the characteristics of instrumental vocal music, it is better to express the content and understand the style of the works by using the techniques of piano playing.
【學(xué)位授予單位】:齊齊哈爾大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2016
【分類號(hào)】:J624.1
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