本文選題：普羅科菲耶夫 + 鋼琴小品四首��； 參考：《沈陽師范大學(xué)》2017年碩士論文

【摘要】：普羅科菲耶夫是十九世紀(jì)與二十世紀(jì)交替時期的音樂大師,在其同時代的音樂家中以特立獨行的音樂風(fēng)格而大放異彩。他的作品既有傳統(tǒng)的音樂情懷又具有新穎的音樂語言,可以說其作品預(yù)示著新時代的到來。本文以二十世紀(jì)俄國音樂大師普羅科菲耶夫早期創(chuàng)作的鋼琴小品op3與op4為研究對象,通過對作曲家早期藝術(shù)觀以及這兩部音樂作品音樂本體的分析,得出普羅科菲耶夫早期的鋼琴創(chuàng)作風(fēng)格為既立足于傳統(tǒng)又具有大膽創(chuàng)新的探索,具有多元化的音樂風(fēng)格特點。并結(jié)合自身演奏經(jīng)驗細(xì)致的對這兩部作品的演奏進行了詮釋,指出演奏該作品的難點與重點,希望可以為更為精準(zhǔn)的理解、演奏普羅科菲耶夫的音樂作品提供參考。本文共分為五章。第一章為引言,主要闡述了本文的選題目的與意義,進行對普羅科菲耶夫前人研究成果的綜述,以及本文的寫作方法、寫作視角。第二章,站在傳統(tǒng)上的創(chuàng)新者,主要通過對普羅科菲耶夫的古典音樂情懷和俄羅斯民間音樂對其的影響進行闡釋。另外還對二十世紀(jì)新音樂思潮對他來帶沖擊進行分析,由此來理解普羅科菲耶夫藝術(shù)觀的形成。第三章,既傳統(tǒng)又絢爛多樣的藝術(shù)風(fēng)格,通過對這兩部鋼琴的曲體結(jié)構(gòu)、調(diào)式布局、和聲寫作、旋律線條的分析得出其早期的音樂風(fēng)格為既傳統(tǒng)又具有多元化的風(fēng)格特點。第四章,是對這兩部鋼琴小品的演奏詮釋,通過對標(biāo)題與主題的闡釋,以及觸鍵和踏板運用的演奏分析指出作品演奏的難點與重點。第五章是對普羅科菲耶夫鋼琴小品藝術(shù)價值的研究,從歷史價值、現(xiàn)實價值以及教學(xué)價值三方面來看普羅科菲耶夫鋼琴小品的藝術(shù)成就以及今人可從中獲取的重要價值。
[Abstract]:Prokofyev was a master of music in the turn of the nineteenth century and the twentieth century. His works have both traditional musical feelings and novel musical language, so it can be said that his works herald the arrival of a new era. This article takes the piano sketch op3 and op4 by the Russian music master Prokofyev in the 20th century as the research object, through the analysis of the composer's early art view and the music ontology of these two music works. It is concluded that Prokofyev's early piano creation style is based on tradition and has bold and innovative exploration, and has the characteristics of diversified musical style. Combined with their own performance experience, the author interprets the two works, points out the difficulties and key points of playing the works, and hopes to provide a reference for more accurate understanding and playing Prokofyev's music works. This paper is divided into five chapters. The first chapter is the introduction, which mainly expounds the purpose and significance of this paper, the review of Prokofyev's previous research results, the writing method and perspective of this paper. In the second chapter, the innovators stand in the tradition, mainly through the classical music feelings of Prokofyev and the influence of Russian folk music. In addition, it analyzes the impact of the new music trend on him in the 20th century, so as to understand the formation of Prokofyev's view of art. The third chapter, both traditional and colorful art style, through the two piano music structure, mode layout, harmony writing, melody line analysis of its early music style is both traditional and diversified style characteristics. The fourth chapter is the interpretation of the two piano pieces, through the interpretation of the title and theme, as well as the use of touch keys and pedal performance analysis points out the difficulties and key points of the performance. The fifth chapter is a study on the artistic value of Prokofyev's piano sketch. From the three aspects of historical value, realistic value and teaching value, the artistic achievement of Prokofyev's piano sketch and the important value that can be obtained from it are discussed.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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