本文選題：小提琴 + 右手發(fā)音�。� 參考：《中央音樂學(xué)院》2017年碩士論文

【摘要】：本文主要針對(duì)小提琴的正確右手發(fā)音方法進(jìn)行探究和總結(jié),針對(duì)右手的發(fā)音方法、聲音的控制、正確的接觸點(diǎn)等右手發(fā)音方面的技巧進(jìn)行分析,作者通過演奏實(shí)踐和在學(xué)習(xí)中不斷的探索,總結(jié)的經(jīng)驗(yàn)與方法。第一章主要論述了發(fā)音對(duì)小提琴演奏的重要性,以及正確的發(fā)音方法對(duì)良好發(fā)音的重要性。第二章主要分四個(gè)部分,對(duì)在演奏中右手發(fā)音的問題具體分析第一部分演奏中動(dòng)與靜的關(guān)系第二部分右手的持弓方法第三部分在演奏中用合適的力量控制聲音第四部分琴弓與琴弦的接觸點(diǎn)不同與聲音的變化第三章對(duì)論文進(jìn)行了總體的總結(jié)
[Abstract]:This article mainly aims at the right right right hand pronunciation method of the violin to explore and summarize, analyze the skills of the right hand pronunciation, sound control, correct contact point and so on. The author summarizes the experience and methods through the practice and the continuous exploration in the study. The first chapter mainly discusses the pronunciation to the small. The importance of Viola playing and the importance of the correct pronunciation method for good pronunciation. The second chapter is mainly divided into four parts. In the first part, the problem of the right hand pronunciation is analyzed in the first part of the performance of the first part of the performance, the second part of the right hand holding method in the third part is used to control the fourth part of the sound with the right force in the play. The third chapters of the contact between the bow and the string and the change of voice summarize the thesis.

【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J622.1
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本文編號(hào)：1815185