本文選題：欣德米特 + 和聲理論體系　； 參考：《音樂創(chuàng)作》2017年03期

【摘要】：欣德米特是20世紀(jì)具有代表性的著名作曲家、理論家。他自創(chuàng)的作曲技術(shù)理論體系,在作曲理論技術(shù)研究領(lǐng)域具有重要的地位。交響曲《畫家馬蒂斯》是欣德米特從同名歌劇中派生出一部交響作品,堪稱其代表作。本文從欣德米特在《畫家馬蒂斯》的創(chuàng)作實踐中,如何充分體現(xiàn)欣氏理論體系中的和聲理論,譬如和弦構(gòu)造、和聲起伏、兩部骨架等。在作品中某些表現(xiàn)特色是其理論體系中未涉及的,比如配器,是他的和聲體系和音色表現(xiàn)要求的具體結(jié)合,更富有啟示意義。本文試圖論述欣德米特將理論運用于作品,在作品中體現(xiàn)出理論的特點,揭示理論與實踐的統(tǒng)一的具體途徑。
[Abstract]:Himdemith is a famous composer in the twentieth Century, the theorist. His own composing theory system has an important position in the field of composing theory and technology. The symphony < painter Matisse > is Himdemith's Symphony from the same name opera, which is called his masterpiece. This article from Himdemith in the painter horse In his creative practice, how to fully embody the theory of harmony in the theory of Hin's theory, such as the harmony of chords, harmony and fluctuation, and two skeletons. Some of the characteristics in the works are not involved in the theoretical system, such as orchestration, which is the concrete combination of his harmony system and the requirement of tone color. This article tries to be more enlightening. This paper discusses Himdemith's application of theory to his works, manifests the theoretical characteristics in his works, and reveals the concrete ways of the unity of theory and practice.

【作者單位】： 太原師范學(xué)院音樂系;

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